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    Hello video creators welcome to Rc Edits today we're going to Simple Badass Transition making shapes with the track matte key effect to create the following transitions 

Were just few examples of what you can do with this technique once you understand how this works you'll see that the possibilities are endless and now after this energetic intro i'll slow it down and show you step by step how it's done inside premiere pro right after the message of our sponsor squarespace if you want to build your own website or web store then definitely check out squarespace i've used them for more than two years now and i can confirm that it's easy to start with their award-winning templates even if you don't have any experience with web design and their templates are built in such a way that will look great on any device like your pc tablet or smartphone use the link tourism to get the free trial or 10 discount on your first purchase the links can be found in the video description 

Add Video Clips:

Now i'm going to show you how to make this transition in adobe premiere pro inside premiere, i've already got these two clips on the timeline that will come to use for the demo we're going to start by moving the second video to the second track of the timeline and let it overlap for a few seconds with the first video here you can see the duration, of the overlap which will also be the duration for the transition 

    next we're going to switch to the eraser tool by hitting the c key and then cut the second video at the end of the first video and after that we can switch back to the selection tool by hitting the v key and then i'll move the left over of the second video back to the first track because this is the part that we're going to use for the transition.

Add Shapes:

 now it's time to add a shape to the video and in this case we're going to add a circle and we're going to do this with the ellipse tool that you can find here, which is often hidden under the pen tool we can now simply left-click somewhere in the program monitor and then draw a circle and by holding this shift key you can make a perfect circle instead of making an oval shape for the transition we'll need a circle that is about this big now we need to switch back to the selection tool by hitting the v key or click this icon here 

 next i'm going to shorten the duration of the graphic layer so it will match with the transition in the next steps we'll come to animate the circle make sure you've got the graphic layer, selected and head over to the effects control panel in here i'm going to open up the shape layer and then enable keyframes for position and skill by clicking on the stopwatch icon and then 

    i'm going to zoom out in the program monitor because we need to work outside of the frame now we're going to start the animation here in the right bottom corner.

Keyframes:

So i'm going to play around with position values until the circle is just out of the frame it might be a little hard to see but the position of the circle is here where the red box is and that's our starting position as well so we're going to move these two keyframes, to the beginning and for the next set of keyframes 

  we're going to move the circle back into the frame and then we're going to scale it up so it will fill up the entire frame and with these two sets of keyframes, we've created this animation and to make the animation a bit more smoother.   

   we're going to right click on the last set of keyframes and then select ease in and for the first set of keyframes, we'll select ease out and finally i will also move the last set of keyframes, to the end of the transition and this is what we've got so far next we're going to use this white shape to reveal the second video and to do this we need to add the track matte key effect in the effects panel ation by right clicking on the first keyframe and then select ease out and for the last keyframe we're going to select ease in and for the middle keyframes, we're going to select bezier and this is what we've got so far and to finish it off we can also enable the stroke for the rectangle and also here i'm using a gray color and i will also increase the width of the stroke and because, we've already selected the luma option you can see the results right away and that's it for this one let's have a look at the final results okay i've got one more example for you so let's go for this transition.

Second Keyframes:

we're going to add two rectangles, with the rectangle tool i'm going to add the first one on the top half of the frame and the second one on the bottom half and then i'll move back to the timeline and cut the tracks with the razor tool and remove, the parts that we don't need with the selection tool select the graphics layer move over to the effects control panel and then enable keyframes, for position for the first shape then i'm going to move this keyframe with the final position to the end of the transition and then we'll reposition the rectangle all the way to the left outside of the frame and then move this keyframe.

Finally:

 The beginning of the transition now we're going to do the same steps with the keyframes, for the next shape but in this case we'll move it to the opposite direction and also move the first keyframe, to the beginning of the transition and finally we'll also add ease in and ease out keyframes to make the animation more smoother and that's it for this example let's have a look at the final results and that also concludes this premiere pro tutorial i hope you enjoyed this one and if you did you might also want to check out this video anyway as always thanks a lot for watching, and i hope you have a wonderful day 

There are a few different ways that. You can add. Audio fades to your music and sound effects and Alight Motion . The first way. Is using the built in default transitions. The second. Way is. Using the PEN tool and the third. Way is using it using. using auto ducking. The third way is to use.

 Auto ducking using the essential sound panel. Let's first start with the default. Transitions using the built in audio transitions is the. Easiest way to do a fade. Out here. In my timeline, I have the sequence of hot air balloons from Turkey and I have this nice music track from Epidemic Sound, and I want it to. Fade out. At the end. With the video fade out. So what I can do is I can just go to the. Outpoint of the music track and I can control click and select. 

Apply default. Transition. If I zoom in to the timeline, you can. See added a. Constant power transition. Now, if I want to make this longer, because right now it's a little bit short, I can actually roll. This out. To make it longer. Now, when. We play it back, it'll gradually fade out and so if. You tend to always make the duration of your transition longer and you want it to default to be in longer so that you don't have to extend it out each time, you can actually go to Alight Motion  Preferences Timeline. 

And here from audio transition, default duration, you can change this duration. So if you always want it to be 3 seconds instead of one second, you can hit. OK, so now if I delete constant power in play default transitions, it'll. Default always to three. Seconds. There are three different crossfade that you can use. The constant gain, the constant power and the exponential effect. Constant power. Is the default because. It's generally the smoothest and it just. Gradually fades. Out. Constant gain. Sometimes the fade can feel a. Little bit abrupt. That's why a lot of. People don't end up using this one. But exponential fade is actually great. 

                     XML LINK HERE

I use this one a lot. If you want to change exponential. Fade to the default. You can control. Click on it and set. Selected as default. Transition. And now it has. That blue. Outline around it as the. Default. Another exponential fade. Is the. Default. Let me show you the difference. Let's play the constant power now. Let's delete. That and apply default and let me show you how that sounds see how it ends a little. Bit quicker.

 Than the constant. Power. So I tend to leave exponential fade as my default. And welcome. Back. My name is Kelsey. And if this video is helping you out so far. Be sure to. Give it a thumbs up. As well as subscribe. And this month, I'm also running a live sound editing and mixing workshop. If you want to register, there's a link just down below. And also a huge. Thanks to make sound for sponsoring today's. Video. All of. The music and sound effects in this video is from Epidemic Sound, and it's completely. Royalty free and YouTube. Friendly, meaning you won't get any copyright. Strikes. 

And the best part is it's unlimited. So you can download as much as you want to try out and play around until your. Edit is good. For example, with this opening sequence, I downloaded. A bunch of car drive bys and. Worked sound effects to. Add to the edit to bring it to life. So for example. For this demo edit. With the hot air balloons. And I added this here in the timeline. So when the. Car drives by wash. Another wash and another wash and then the car driving off. So epidemic sound. If you go there, you can search, premiere, go and. You'll find my playlist. Of great background trucks for video but they also have lots of other playlists that you can browse if you'd like to try. Epidemic sound to get unlimited sound effects and music. You can use my link. Below to get 30 days. Free when you sign up for a personal or a commercial plan. All right, so now let's go into the second method of doing an audio feed using the PEN tool. To use the PEN tool to create fake IDs. First, you want to go to the rent tool and make. Sure that show audio. Keyframes is turned on.

 So that way on your audio. Track, if. I expand this out, you will see a white line and that is the volume which we can manipulate. So to add a fade. Using the PEN tool, we can just. Press P. On our keyboard to bring up the pen tool and then click at the point where you want the fade to start. And then we can click at the end and just bring it down. Now, this is a linear fade. So if I play this back, this. Is what it sounds like if you want it to be more of a curve, press command, if you're on a Mac or Control, if you're on a PC and click on this dot and then we can move this blue handle to kind of have it not fade. Out. Quite as much in the beginning and then exponentially fade at the end. So let's. Just see how this. Sounds. So it's pretty cool. The pencil. 

Gives you a lot of flexibility and. You can make as many points as you want if you want to. For example, duck the audio down when there's dialog. Which brings. Us to the next one, which is. Audio. Docking

                 PRESET LINK HERE

 How To Make Trending Ship Transition

                            Ship Transition

Introduction:

Hello and welcome to Rc edits in this two part tutorial we're going to look at 8 awesome and easy transitions, that you can make in a matter of seconds even though you could make a preset for some of them these transitions, are so simple that they don't require a preset at least in my opinion this two-part tutorial is a collaboration.

Clips

hey everyone glad to be here you can find the first four transitions , in this video and the other four in the video that is linked at the end of this one anyway it's time to start some editing after the quick message from our sponsor vdivo.net vdfo is a great source for free and premium stock footage, for example all the clips used in this tutorial video are coming from vdivo and besides the more than 100 000 video clips they've also got a big collection of music and sound effects be sure to check them out and use the discount code storytime20 to claim a 20 discount on one of their premium plans, the links can be found in the video description ok now it's time to jump over to premiere and look at 

Transition:

The first transition the first one is a simple zoom transition, and i've already got two clips ready on the timeline to show you how to do this one the first step here is creating an adjustment layer, you can do this in the project panel click on the new icon and then select adjustment layer and then accept the default settings and click ok you can now drag this adjustment layer over to the timeline and place this on top of the two clips then shorten the length of the adjustment layer until it's somewhat equal on both sides.

Effects:

 Next we're going to add an effect in the effects panel we're going to search for the transform, effect you'll find this one under video effects distort i'm going to apply this effect to the adjustment layer, and then put the playhead right between the two clips and you can also zoom in to be sure that it's right in the middle now.

Keyframes:

 i'm going to move over to the effects control panel and i'm going to look at scale properties of the transform effect first i'm going to enable keyframes, by clicking on the stopwatch icon here then i'm going to move that first keyframe, with value 100 a couple of frames back and then create another keyframe with value 100 and move that one a bit forward the playhead is still in the middle between the two clips and that's where we're going to create a new keyframe with value 300 and now as you can see the zoom effect.

Conclusion:

now you've got this awesome glitch transition, thanks again jill and that indeed was awesome and easy and that also concludes this first part of the eight easy transitions let me know in the comments if you would like to see another transition collaboration, video with storytime and premiere basics and now you can click here to see the other four transitions, that's it for this one thanks a lot for watching and i hope you have a wonderful  day you 

 hey guys welcome to the video as you saw the clip we are going to make our clips more interesting and wait smooth with rsmb and some color correction before that let me show you my graphic settings that i used in order to record my gameplay here are my graphics settings i keep everything high uh

 if i'm getting enough fps or mostly i use everything low and on low side i keep everything off everything means everything just get this off this off and just turn everything off so yeah these are my graphics settings so let's get into premiere pro and we'll apply effect there so as you can see we are in premiere pro and i already imported my clips both clips these this one is in high graphics setting and this one is in a low graphics setting uh this clip is recorded in shadow play i don't use any filter in shadow play i use third party vibrance gi to get vibrance and this one is recorded in obs i haven't seen much of a difference between shadow play recording and obvious recordings in colors

 so they both look same and make sure your sequence settings uh frame rate and your clay frame rate are same so let's work on first clip which is in high high graphic quality so we are going in effects tab search for lumetri color there it is then drag it on your clip go to effects control if you can't see effects control make sure it's enabled in windows tab and effects control or you can press shift f5 then uh open up the basic correction tab now we are going to mess with a white balance you can use this eyedropper to set white balance or but i don't use it personally because it it's not that accurate 

so we are going to mess with temperature for this clip if you go on cooler side which is in negatives it doesn't look that nice so i will be adding some warmth in this clip you can add around 13 is bit high 10 6 6.5 6.5 was okay so i'm making it six this looks nice then i'm adding 10 14 don't go on negatives it starts looking greenish and it doesn't look that nice so we are going to add a bit of it okay it looks nice so make it look six yeah i round figure most of the time then next is tone in tones uh first is exposure and on exposure i don't like it to decrease so i always increase my exposure either by 0.3 or 0.6 i know 0.6 is bit bright for this clip but when we mess with contrast highlights and other stuff it will look nice to be with me now we are going to add contrast so for contrast you can go like high around here but i don't go that high around 13 13 12 they would look both look same so i'm keeping 12. on highlights i increase my highlights i know it's making uh brighter again but bear with me well these are my settings then shadows we're going to decrease reduce the shadows let it save itself make sure you save of course as you can see it started looking different minus 12 for this looks the same for 13 again next is white right i'm going to decrease whites again keep it negative 12 and blacks also i'm going to reduce it you can keep it around 0.6 or 3 around negative six that will keep the details as you can see if if i go a bit high like low then it starts losing details or you can set it to zero that's a personal favorites reference but i keep it around negative six or negative three it is six or negative three 

let's let's go for that yeah before going further let's see before and after so here is the before here is the after now let's move on next is creative tab don't add saturation here uh we are going to add in creatives first is first is we are going to mess with is shadows then for clip like this where you have a width everything is smoother out so you are going to use 24 if you had experimental sharpening either you turn it off because it sharpens already or you can set it around three or keep it around well then just mess with it uh keep it as you like it the reason i'm keeping it on 12 because we are going to add motion blur and it will smooth around things so uh it doesn't make that much of a difference so next is vibrance and we are going to add vibrance around 30 28 30 30 is good you can go for 24 30 36 and 42 these are my values i play with them depending on the clip next is saturation here we are going to add saturation don't add too much saturation 130 and 124 is good 124 to 120 130 looks nice after that it started it starts looking to be honest a bit too much so 130 is okay let's save it after that if you want you can mess with uh shadow tint and highlighting around here um just to make i think shadows i'm going to keep my shadows bit cool side and then highlights on the warmer side if you it doesn't make that much much of a difference but you can uh mess with them and get better results let's save it now i will finish with the creative part creative tab then we are going to add some curves we are going to mess with only this uh this curve so add this from here just a little bit just a little bit yeah okay it's too much it's too much yeah then take it away from here it's it adds contrast and we added contrast here but i like to add uh touch from here as well that's this is my style of work and after that there is a hue saturation curves i don't mess with them so just ignore and you can play with colored wheels let me close this up if you're liking tutorials so far don't forget to hit the like button and subscribe if you haven't with notifications on 

now let's get back to the tutorial okay so in mid tones yeah you can set mid tones around warmer side or you can set it on cooler side it looks nice and i'm going to add mid tones and then shadows around here just okay just a little bit on our inside and decrease the shadows slightly decrease just don't just don't make it low then highlights same highlights with a bit of a blue and then reduce them i know it doesn't make that much of a difference but when we uh collect everything that we done it makes a nicer image nicer nice image like now you can see this is the before it is here is the after yeah next uh next is hls secondary i don't mess with this so let's ignore this and last part is vignette i know we added vignette in in-game settings but here we can control it so i'm going to mess with this as well uh just open up amount and if you go above 0 a value above 0 it will start whitening the edges we want to darken the edges so we are going to go on negatives this if you go below like the negative one it start looking uh not so good so make sure you keep it around 0.5 0.2 uh [Music] 0.3 yeah it looks nice then there is a midpoint so what midpoint does is if you go on lower side it darkens the area towards center and if you go higher it cleans it brightens it or it removes the dark vineyard from there

 so we are going to keep it around 42 because 50 is default and around 42 or 36 if you want it looks nice you know what uh let's keep it let's go a bit further as well because it's yeah it's too much so let's add it around here like 30. yeah it looks nice next is roundness you can mess it with it uh because it controls the how around the vignette can is going to be but i don't mess with it it it's okay as it is and last is feather feather we are going to increase further to give it a soft soft transition if you want to see uh how much it's changing you can like go full here and then change then make changes here so you can clearly see what's happening so we are going to add around 60 yeah it's okay because if you go there if you go further it's it starts losing this area as well so making we are keeping it 60 and then turn this back to zero point three yeah these are my settings for color correction yeah let's save it first 

so let's see before and after before uh going further so here is before here is after and by the look you can see that it created dramatic effect so let's move on to next part which is adding a motion blur motion for motion blur i use rsmv if you use rsme pro then these are my settings with much a blur amount 0.6 you can add amount uh but for normal gameplay videos it doesn't look nice to have that much of a motion blur for montages it looks nice if you go around 2.4 you can yeah you can go in uh on 2.4 if you want but 2.4 it is actually high you can it depends on your clips go around 1.2 0.2 for montages uh on most of the clips and for 0.6 on gameplay videos and next is sensitivity only i only messed with blur amount and sensitivity sensitivity so sensitivity will be 60 just don't add that much sensitivity because it smudges uh most every motion it senses so yeah and next is foreground settings give it 0.6 and 68 same as main background yeah these are my settings and another thing is i set my interpolation time interpolation to frame blending or optical flow mostly optical flow it gives accurate results and if i want a ghosting effect like the just let me off turn it off if i want ghosting effect like this [Music] just watch here i think i can yeah this one the ghosting effect if 

                  XML LINK HERE

i want ghosting effects uh then i will use frame blending but most of the time i will use this one because it uh i will use optical flow cause it's pretty accurate but sometime it works so i don't use it very often for this i'm using frame blending turn it off turn it on motion blur yeah this is what my settings are so i'm going to work on low graphics settings as well because you can't use the same color correction on low graphics clip so it is the after yep is the before okay yeah i messed it up he's the before he's the actor there's before here's the after that that's what i meant by uh keeping sharpening high because motion blur will smush things out it will mess it will affect the sharpening so it doesn't make that much of much of a difference so we are going to copy this settings and paste it on low graphics setting a low graphic clip

 so i'm duplicating this one copy paste and resetting then open up this one open up a newer color correction effect and we are going to mess with temperature now we are going to make it a cooler cause if you look at this clip it looks cooler on this side 

so we are going to make it cooler and turn this around here okay 30 looks nice do 30 i'm not going to mess with 10 and only thing i'm going to mess with in tones is contrast just adding little bit of contrast and shadows see it's fine and next is creative then adjustment and now we are going to mess with shadow tint and highlight tint so we are going to make this one around [Music] like this okay and highlighting to go around here yeah this looks nice this is the before here's the after and we're pretty much done here if you want you can mess with color wheels here with mid tones and all can make them look like this decreasing in decrease in mid tone then shadows shadows around the side i'm just tweaking a little bit little bit i won't be messing with highlights but it looks nice already so it's look closer to this one let it load it looks closer to this one you can tweak a little bit and let's set uh frame blending to this 

so let's compare it with final version you can compare your clips or frames with this uh this option here if you don't have this comparison view just go to plus and this one is comparing design view you can drag it out here now to compare it uh let's keep it here copy paste and then here so this is what it was and this is it is now now 

we are going to save these effects as presets so we don't have to do this again and again so for that select a clip go to effects control select the effects you want to save as preset then right click save preset name it whatever you want i will call it red rest because when i upload this clip on reddit people liked it and someone comment said it looks like redressed and all so i like that comment that's why i'm using it as name so i will call it a retrace and you can check your preset here just type replace or whatever your name it will come up here so yeah that's it for this videos if you like it don't forget to like it and subscribe to the channel make sure you turn on the notifications and comment your thoughts how you liked it if you wanna see these type of videos like tutorial videos or you want to see gameplay videos with these settings so make sure you comment this and see you guys next time peace 

                PRESET LINK HERE

hey guys Rc here for alight basics a weekly series where i teach you all the ins and outs of adobe premiere pro and today i'm not doing it alone we have a feature today with no one other than storisium now today we are going to teach you eight different transitions that are so simple that you don't even need presets for them so without any further ado let's get started and fire up adobe alight now let's start with a visual transition that depends on your shots when transitioning from one shot to another look for a second shot with visual elements like rocks trees or other objects now place the two shots behind each other then duplicate the second clip and freeze frame the first frame now place that above the end of the first video track then we're going to take our time and properly mask around an object now this can also be a rock a billboard a person whatever if there are multiple objects on screen you can duplicate the layer and mask these objects as well okay once you've masked your object nest the layer and go to the effect panel take the transform effect and drag it onto your nested layer then go to the effect controls panel and deselect the composition shutter checkbox set a custom one of 180. then animate the object so that it pops on screen you can do this by placing keyframes for the position property now don't forget to ease your keyframes once you've made this animation now you can make this longer by dragging the layer more over the first video of course and if you have multiple objects try and play around with different speeds and different directions and as a finishing touch you can always right click on the cut between the two video clips and add a cross dissolve but make it quite short this will give you this result hey jill thanks for having me on your channel it's awesome to be here the next transition is one of my personal favorites and i like to call it the glow transition it's a little similar to the dip to white effect that is built into premiere but also a little different anyway you'll see inside premiere we're going to use these two clips on the timeline for the demo i'm going to start by adding an adjustment layer you can do this in the project panel click on the new icon and then select adjustment layer you can accept the default settings and click ok we can now drag the adjustment layer over to the timeline and place them on top of the two clips of course you can choose any duration for the transition but in this case i'll go for two seconds and i also want the adjustment layer part on the second clip to be a little longer than the part on the first clip    

                    XML LINK HERE

completion and then we need to create two more keyframes with the value 100 and then put these two at the beginning and the end and also here we're going to make it a bit more smoother by right clicking on the first keyframe and then select ease out and then right click on the middle keyframes and select bezier and for the last keyframe we'll select ease in and if i now open up the graph you can see that there's a nice curve this will give more smoothness to the animation in some cases mainly depending on the footage the cut between the clips might still feel a bit rough but you can fix this by adding a simple cross dissolve effect between the two clips this will make it blend a lot better and that is all you need to know to create this awesome drawing transition let's have a look at the final result [] wow that was awesome now guys if you want to see our next four transitions then head over to sterezium's account the video is also linked in our credit scene so go ahead and look at those other transitions if you want to master all of them i'll see you guys next week for a new live stream and a new tutorial and as always stay creative

           PRESET LINK HERE

Hi Guy's 

hi my name Rc Edits and in this tutorial i'm going to teach you some tips about exporting frames, and even being able to arrange your own youtube thumbnails all in premiere now typically i would suggest that you just do this in Alight Motion or some sort of design program if you don't have Alight Motion, but if you are working kind of in a quick moment in premiere there are little things that you can do that you can just make it in premiere as well just as well so i have a little book club playlist on my channel which is not the traditional type of thing

I do but when i upload the videos sometimes straight from my phone i want to get a good frame i don't want to get a frame where i'm looking stupid so what i thought to do was simply take the video in premiere find the book cover online so i have a couple different options, here and i can kind of arrange them in in premiere as their own graphic layers i can move them to where i need just like this or even scale them up and make them big enough to fill in the whole side.

 if i want and if you want an easy way to just move stuff around just highlight the selection tool make sure you're in the program window and highlight that position parameter in the effects control, panel and you can just move it around kind of very similar to Alight Motion, you can scale it exactly how you like and i can put it there in the corner and then i can kind of just scrub through find a good frame maybe where i'm looking thoughtful, or not stupid looking i can even add text if i wanted like with the type tool i can write out whatever i want and move those around and even in the essential graphics panel adding backgrounds and strokes for these.

 Just a simple way to build text and titles if you did want again something that you might not need to go to Alight Motion or if you don't have Alight Motion, another tool for you something like this i do always like to remember that the timestamp right now is in the corner on youtube so maybe not to put too important information there in that corner and you also have all these different video effects, that you can generate so if i wanted to generate a gradient or a ramp i can do that as well on perhaps like a new black video so new black video add that on a layer in between maybe add a ramp and in this way i can add different colored.  

Alight Motion or if you want to just check out my tutorials i've made for making thumbnail tips and basics in Alight Motion, i would recommend you do that because 90 of the time i'm making them in Alight Motion but hopefully you enjoyed this little idea and got some tips from it whether that just be the export frame button, or you picked up some other tips as well if you did enjoy this video check out my channel for more subscribe to stay tuned for all my new videos thank you so much for watching and i'll see you in the next one.

what's going on youtube Rc with venture visuals and on this channel we break down trendy music video effects and creative editing skills and today i could not be more stoked to be showing you guys this film roll transition that's very easy to create in alight motion pro but before we get started i just want to shout out you guys out there in the audience who are watching my tutorials and leaving comments liking the videos all that the channel just hit a thousand subscribers this week which i am stoked about and you guys helped me get there so the first thing.

 we're gonna do is basically just identify where we want the transition to start so this is where i think a good spot for this transition, is gonna be so as you can see we already got the two clips split in half like that what i'm gonna do is hold shift on my keyboard go to the left and that's gonna bounce over five frames here on the left

 i'm gonna make a cut right there and now i'm gonna hit shift and go to the right twice that's gonna go to the right ten frames and i'm gonna make a cut highlight them right click on them and nest them so they are just one clip here on the timeline so what we need to do first is add in an effect called offset so that's over here in our project panel we're just going to type in offset and you'll see it under the distort folder we're going to drag that onto our nested sequence like so you're not going to see anything happening here in the beginning, and that's fine we're going to make a keyframe under shift center too i'm going to drag that keyframe to the beginning so now what we're going to do is scroll to the right here on our nested sequence adjust this shift center two.

    we're gonna drag this value of 540 and we're gonna just play around with this let's go maybe to like 5000 okay so it'll be a pretty quick transition here so check this out so you can see it right there maybe that's a little bit too fast so let's take this value let's go down to like three thousand that's probably going to look a little bit better so now when i play it back we'll get this so that looks a lot better than how fast i had it going before step two for us is gonna be to add an effect called fast blur.

   so we're gonna go to our effects panel and we're just gonna look up bass blur under obsolete we're gonna drag that onto our nested sequence as well and we're just gonna turn this blurriness up to about 115 right so it gets blurry like that but we don't want it to be blurry on the horizontal, and vertical the blur should just be horizontal okay so we kind of get that look step three is gonna be to add a circle okay so we're gonna type in circle and we're gonna click and drag that onto our nested sequence so now with this circle up in our effect controls we're going to change the radius to like 700 right so we get a very very large circle here.

   we're going to go ahead and like keyframe the center and the radius points for this circle just going to keyframe, and move this point around a little bit maybe we'll have it like kind of bleed in to the frame a little bit like that and then maybe uh the radius gets a little smaller you know right around the middle and then we'll go kind of like we'll get big again and then you know we'll drag the position down a little bit here from the center and you know it's making these keyframe, points now when we scroll over the nested sequence you can see how that circle is moving right but like what is this circle for okay so i'm going to explain this to you guys this is kind of an interesting way to make light leaks or film burns in alight motion so what i'm going to do is change the color and i'm going to make it uh somewhat of an orange color you know something like, that looks good and then what we're going to do is we're going to feather this outer edge a ton we start to get this you know really feathered edge here with our orange circle i'm actually going to turn it up a little bit more 

 so we're going to bring this up to even you know let's go to like 950 okay perfect now we got this really nice soft edge come down under opacity and change the blending mode to add and now we can see our clip behind it so now when i scroll over we get that film burn type of look that just kind of comes into frame as the transition, starts step four is going to be to duplicate this light leak that we just made i'm just going to click on our circle here in our effect controls i'm going to hit command c command v right so that's going to make another circle and as you can see our light leak gets a little bit brighter which is awesome i'm just going to change the second circle and i'm going to change the color to something a little more red okay so you know we get more of an authentic fiery type of look now what i'm gonna do is just change the center and radius key points the keyframes so that it looks it's a little bit offset from the first light leak that we created right 

so i'm going to drag it maybe over here to the right side and then you know here in the middle we can you know maybe have it stay on the right side go down a little bit so it's kind of in the opposite corner of the orange and then here at the end you know it's fine if it kind of goes across the screen a little bit maybe a little bit less maybe just to like the middle part okay so yeah now i keyframed,that second film burn that second circle a little bit differently so we have it you know on the other side of the frame it doesn't look identical to our first film burn and that just helps give it that more authentic look and feel the effect is pretty much done all we need to do is add in a little bit noise give it some texture we're going to come over here to our effects tab type in noise and we're going to find it under noise and grain right here we're just going to throw that onto our nested sequence as i increase it you can see this is like very very high percentage here 100 noise we don't want that we just want something a little bit more textured than just like your your normal clip right so we just want to add a little bit of texture in there so i'm going to hover around 10 percent on this noise you know you can see these little noise particles here over the frame so that just helps give it some texture makes it look a little more authentic so i'm just going to hit i on my keyboard, to mark the in point and i'm going to hit o on my keyboard to mark the out point i'm going to come up here to sequence and i'm going to hit render into out this is going to pre-render what we have so far so now you can see this green bar here on top means this sequence is fully rendered out to maximum quality it's not going to lag at all so now when we watch it back check it out [Music] yeah so pretty cool one thing i would change is just how this transition starts and i would actually easy ease out this first offset keyframe so i'm going to right click on that keyframe hit temporal interpolation, go to ease out right there and so now it's going to ease out of the original frame a little bit smoother instead of just going straight into the transition