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hey guys Rc here for alight basics a weekly series where i teach you all the ins and outs of adobe premiere pro and today i'm not doing it alone we have a feature today with no one other than storisium now today we are going to teach you eight different transitions that are so simple that you don't even need presets for them so without any further ado let's get started and fire up adobe alight now let's start with a visual transition that depends on your shots when transitioning from one shot to another look for a second shot with visual elements like rocks trees or other objects now place the two shots behind each other then duplicate the second clip and freeze frame the first frame now place that above the end of the first video track then we're going to take our time and properly mask around an object now this can also be a rock a billboard a person whatever if there are multiple objects on screen you can duplicate the layer and mask these objects as well okay once you've masked your object nest the layer and go to the effect panel take the transform effect and drag it onto your nested layer then go to the effect controls panel and deselect the composition shutter checkbox set a custom one of 180. then animate the object so that it pops on screen you can do this by placing keyframes for the position property now don't forget to ease your keyframes once you've made this animation now you can make this longer by dragging the layer more over the first video of course and if you have multiple objects try and play around with different speeds and different directions and as a finishing touch you can always right click on the cut between the two video clips and add a cross dissolve but make it quite short this will give you this result hey jill thanks for having me on your channel it's awesome to be here the next transition is one of my personal favorites and i like to call it the glow transition it's a little similar to the dip to white effect that is built into premiere but also a little different anyway you'll see inside premiere we're going to use these two clips on the timeline for the demo i'm going to start by adding an adjustment layer you can do this in the project panel click on the new icon and then select adjustment layer you can accept the default settings and click ok we can now drag the adjustment layer over to the timeline and place them on top of the two clips of course you can choose any duration for the transition but in this case i'll go for two seconds and i also want the adjustment layer part on the second clip to be a little longer than the part on the first clip    

completion and then we need to create two more keyframes with the value 100 and then put these two at the beginning and the end and also here we're going to make it a bit more smoother by right clicking on the first keyframe and then select ease out and then right click on the middle keyframes and select bezier and for the last keyframe we'll select ease in and if i now open up the graph you can see that there's a nice curve this will give more smoothness to the animation in some cases mainly depending on the footage the cut between the clips might still feel a bit rough but you can fix this by adding a simple cross dissolve effect between the two clips this will make it blend a lot better and that is all you need to know to create this awesome drawing transition let's have a look at the final result [] wow that was awesome now guys if you want to see our next four transitions then head over to sterezium's account the video is also linked in our credit scene so go ahead and look at those other transitions if you want to master all of them i'll see you guys next week for a new live stream and a new tutorial and as always stay creative

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Introduction:

Hello everybody video Lancer is on in this video I will show you how to create such a zoom transition directly in Alight Motion, last time we reviewed how to create the similar transition and Alight Motion but as contrasted to After Effects Alight Motion, is rather limited in tools for creation of any effects so it is impossible to achieve, the same level of quality however we will make the most similar transition out of the available effects

Transition:

 so let's start create a new adjustment layer, and place it above the first clip shorten the adjustment layer so that its duration was no longer than a quarter of a second now we'll make zoom out animation, to do this it is necessary to add mirrored image copies in order to fill these holes it is easy to do in Alight Motion with the help of motion tile effect but unfortunately there is no similar effect in Alight Motion.

  so we have to use more complicated workaround rename adjustment layer, and to tile and use replicate effect set count parameter on three apply mirror effect place reflection Center accurately on the junction of two tiles copy mirror effect and make reflection for the opposite side you repeat these actions for upper and lower tiles you duplicate this adjustment layer, to the third video track remove unnecessary effects and call it scale in now apply.

Transform:

transform effect set scale value on 300 this will return image size into its original scale, due to tripling the image has lost its original quality but take into account that the transition will be quick and blurred so quality change, will be quite obscure set animation key for scale on the first frame of the layer set value 100 in the end of the layer let's add motion blur, to do this switch off this checkbox and set maximum value for shutter angle to do smoother animation edit keys graphs you.

   now let's create animation for the second part of the transition duplicate, the adjustment layer and call it scale out edit Keys graphs in order to make ending of the transition smooth you now let's add chromatic aberrations duplicate, the adjustment layer on the 4th video track remove unnecessary effects and call it aberrations extend the lair until it is a little longer than layers with scale animation, apply VR Digital glitch effect to this layer set zero value for parameter distortion rate animate parameter color distortion.

Keys:

 so that the peak was at the junction you make animation smoother with the help of graphs you now we'll add optical distortions apply lens distortion effect, animate parameter curvature so that the peak was at the junction you in order for animation to look better keys graphs, for scale and curvature can be edited a little it's ready in the final.

 let's add a sound effect you you it's ready as effects of this transition are distributed, on several layers it's impossible to save it as a standard preset however you can create nest sequence for it that can be used in other projects now you can drag this transition from project panel, into any sequence before doing this you have to switch on the option of inserting sequence from other sequences you that is all if you like similar effects.

Ending:

 you can get thousands of similar transitions ready for use all the transitions are professionally, animated and also they include a sound effect for convenience every transition has preview and is applied by simple drag-and-drop, method if you want to get this package please follow the link you can see on the screen I do hope this video tutorial was useful for you subscribe to my channel not to miss new video tutorials this was video Lancer see you later.

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              Transition Preset Pack Download

 i wasn't sure i was gonna make this video i wasn't sure if you guys were ready for it but you know what i said the heck with it let's do it in today's video i'm gonna be showing you guys how to make three essential transitions in  Alight Motion  not only are these transitions essential to know they will make your videos pop they will make your videos slack they will make your videos 10 times better just by using these transitions and you can make them all entirely in adobe Alight Motion

 we're not going to use after effects none of that so who's ready if you're ready hit the like button down below and let's get right into it first transition i'm going to be showing you guys how to make is a simple flash transition i actually think that the default additive dissolve transition that Alight Motion  has is absolute garbage so we're actually gonna make this flash transition completely from scratch so let's just check it out so you can see it just hits on the beat it slaps on the beat and it makes the video knock harder

 so let's get into how to make this from scratch what you want to do is come down here to your left panel and go to where it says new item hit adjustment layer go ahead and just hit okay it's as easy as that and you're just going to pull that into your timeline right here in order to make this effect you're going to come up here to your effects panel you're going to type in brightness and contrast pretty simple pretty self-explanatory and we're just going to make this flash transition lasts about six frames start here at the very beginning 

we're just gonna tab over six frames one two three four five six we're just gonna chop this excess off right there we're gonna come to this middle frame right here and we're gonna make two keyframes one on brightness one on contrast so we're just gonna go ahead and bring up the brightness a ton we're gonna change the contrast a ton and we're just gonna get creative with it you know play around with it there's no right answer there's no right way to make these flash transitions this is just one way to do it that i think is super dope you're gonna go three frames to the left one two three this is where the very beginning is and we're just gonna reset these parameters right here so that's just gonna make a new keyframe right here at the beginning and set both of these values back to zero so now when i tab over you can see it gets really bright now we're gonna go all the way to the last frame on the right one two three and we're gonna do the same thing we're just gonna reset so it's gonna get really bright and then it's gonna go right back to normal at the very end take this adjustment layer and place it over two clips just like that so now let's check that out pretty easy very simple love this effect flash transition all the way it will always be one of those effects that i use in every single type of edit i do i think making them from scratch looks way better than additive dissolve let's move on to our next effect 

so this next effect is so dope it's just a quick blur effect it's a super subtle way to transition from one clip to the next i really love this effect i think it slaps it makes the beat go crazy so let's check it out so i don't even know if you guys noticed it or not but there is a transition happening in between these two clips right here and you can see right there it just gets blurry and then it goes back to normal so check this out now there's no transition at all right here so it just goes right into the next clip what we want to do to make this transition work is just go three frames to the left from this cut one two three and then you wanna slice that clip like it's some turkey on thanksgiving so we're just gonna make a cut right there and we're gonna go six frames to the right one two three four five six we're gonna make another cut right there and we're just gonna take both of these clips that we just cut and right click them and hit nest nesting will basically bake both of those clips into a little layer so they're their own clip now you basically combine two clips into one basically so pretty cool feature in adobe Alight Motion  and then what you got to do is come up here to your effects tab and just look up this effect called fastboard

 we're gonna throw one of them puppies on there and we're just gonna hit this blurriness right in the middle we're gonna keyframe this blurriness but not for horizontal and vertical no no no no that looks really blurry not really cool at all do not do that so we're just gonna pick horizontal or vertical for this i'm gonna go with the horizontal classic and we're just gonna increase the blur amount as much as we want so we can get very blurry as you can see like this but when you pick horizontal you get these kind of streaks across the screen instead of having horizontal and vertical where it's just all blurry that's why i like using horizontal and vertical personally and then what you got to do is go to the very beginning and we're going to go ahead and reset that keyframe we're going to go all the way to the end and hit reset again so now it's going to get not blurry then it gets blurry and then it gets not blurry again so let's check it out in full motion right here let's move on to the last transition which is also probably the most fire transition you can learn how to make there's a lot of ways to make it so let's get into it so for this last example 

i'm going to show you guys how to make a quick mask transition in  Alight Motion  masking is essential if you want to be good at editing videos it's something that i use in a lot of projects and there's a lot of ways to go about masking but i'm going to show you guys a creative way to use masking to create a transition in adobe Alight Motion  so check out this mask transition right here very quick very subtle very simple yeah i have my second clip that i'm transitioning to above my first clip that i'm transitioning from so that's step one you gotta have your second clip above your first clip step two is to just start right here at the very beginning and click on your top clip you're going to come up here to opacity and you're going to hit this pen tool right so what you're going to do is on this first frame you're just going to make like a shape or cut out whatever you want to do i like these like jagged cutouts that type of vibe so it looks like that and then what i like to do is decrease the mask feather we don't want that mask feather coming around here from this point you can see our first mask it's pretty dope i love this i love the way it looks a lot of ways to get creative with this so what i'm going to do from here is just keyframe our mask path right there at the first keyframe i'm gonna go ahead and go two frames to the right one two i'm gonna hit another keyframe right here and that's gonna basically just save this mask where it is now 

I'm gonna go one more frame to the right i'm gonna retrace this mask a little bit so i'm just gonna drag these points out a little bit more now that we're a little bit farther into this transition we're revealing more of that clip underneath just tweaking each point that we've made and we get something like this right so pretty dope and now what we're gonna do is just go two more frames to the right one two we're gonna hit another keyframe on this one so this one saves right now we're just gonna go one more to the right and we're gonna come back up here to our mask and we're just gonna take each of these points and we're gonna keep dragging them out and it's as easy as that guys all you got to do is go frame by frame just drag these points out until you get something that looks dope you might do this a few times before you get a good result now we have that one done we're going to go ahead and finish up now so we're going to come two more to the right one two make our last keyframe there and now we're gonna reveal the entire clip underneath

 so now we're gonna go one more to the right and we're gonna highlight our mask and we're just gonna pull all these points to the edges just like that perfect this is excellent great work and boom that's all it takes so now when we kind of hover back over it you can see the transition kind of just popping out at you and when we play that back in real time check out what it looks like thanks so much for watching today's tutorial i'm feeling very excited about these next couple of videos i'm coming out with these effect videos are only going to keep getting better i'm doing a ton of research on how to make better effects and digging deep into some of my old files as well to find old effects that i've used and created 

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We're going to be spilling that sauce on the internet for the foreseeable future so if you want to be a part of this community and learn and grow with us definitely consider hitting that subscribe button below and if you could only use one of these transitions that i showed you today which one would it be comment down below i'm excited to see some of your guys's responses and if you're a video editor who is serious about making videos and better edits check out my website venturevisuals.com i got a lot of sauce on there you can try out some of my products completely for free so definitely check that out i'll include a link below like i said before i'm excited for these next series of videos so stay tuned and again guys thanks for watching my video i'm jake venner peace out you 

Introduction:

Everyone wants good-looking visually pleasing videos and one of the first steps to achieve this is by color correcting, your video now in orbital color corrector video you have to understand the color workspace, in Alight Motion and if you're ready for that next step and maybe this is your first time here hi and my name is Lila so lovely to meet you and on this channel I share my best filmmaking tips, and tricks video editing tutorials and basically everything you need to know in order to start creating better videos all of the links are in the description.

Color Correction:

so make sure that you check that out including my color correction vs. color grading video because it is of vital importance and when I say phyto importance I mean vital importance to understand a difference between color correction and color grading if you're ready let's open up the color workspace on the left you see some intimidating complicated graphs but trust me they are not really that complicated and on the right you see different tabs such as basic correction.

 first as you can see this circle is this beautiful gradient of all the colors on the spectrum and then there is this white mass or blob or thing I am not sure what it's called to be honest this white mass or a white blob represents the amount of color in the video as well as what colors are in the video if I up the saturation and make the video more colorful make the colors.

Effects:

 what happens to the waveform as I adjust the exposure of the contrast and all the others I think exposure and contrast speak for themselves now these four the highlights the shadows and whites and the black they all work together and they affect each other so for example if we change the whites it will also affect the highlights too but only in the waveform the slider won't be affected 100 represents the whites and right here is the highlights the shadows and the blacks in case you have a lot of clipping going on you can raise the blacks a little or you can lower the whites a little bit but as you can see if I've raised the blacks it removes the blacks from the video 

Frame:

so I am going to keep it at zero in this case instead I'm going to adjust the shadows a little bit and remove a little bit of the contrast we know that the waveform represents the exposure and all the tone settings of the frame so see what happens if I play through the clip as you can see right here this is gizmos face so it literally represents the frame of your video if at any point you're just like oh my god I just need to start over it it looks like a mess I was too ambitious I was too enthusiastic with it don't worry you don't need to double click on every slider what you can do is just click on the reset button right here and you will reset all of the tone settings now this is the fun part if you go up here to this check mark and you uncheck this box see what happens  

this is where we started I mean I love this so much I could literally check and uncheck the box all day this is so so freakin satisfying, if you liked this video please let me know in the comments and make sure to subscribe and hit that notification bow, in case you want to be notified when more videos come out and if you can't wait for the next video which is totally fine and understandable, because you just want your videos to be so much better click on this video 

Introduction:

Everyone wants good-looking visually pleasing videos and one of the first steps to achieve this is by color correcting, your video now in orbital color corrector video you have to understand the color workspace, in Alight Motion and if you're ready for that next step and maybe this is your first time here hi and my name is Lila so lovely to meet you and on this channel I share my best filmmaking tips, and tricks video editing tutorials and basically everything you need to know in order to start creating better videos all of the links are in the description.

Color Correction:

so make sure that you check that out including my color correction vs. color grading video because it is of vital importance and when I say phyto importance I mean vital importance to understand a difference between color correction and color grading if you're ready let's open up the color workspace on the left you see some intimidating complicated graphs but trust me they are not really that complicated and on the right you see different tabs such as basic correction.

 first as you can see this circle is this beautiful gradient of all the colors on the spectrum and then there is this white mass or blob or thing I am not sure what it's called to be honest this white mass or a white blob represents the amount of color in the video as well as what colors are in the video if I up the saturation and make the video more colorful make the colors.

Effects:

 what happens to the waveform as I adjust the exposure of the contrast and all the others I think exposure and contrast speak for themselves now these four the highlights the shadows and whites and the black they all work together and they affect each other so for example if we change the whites it will also affect the highlights too but only in the waveform the slider won't be affected 100 represents the whites and right here is the highlights the shadows and the blacks in case you have a lot of clipping going on you can raise the blacks a little or you can lower the whites a little bit but as you can see if I've raised the blacks it removes the blacks from the video 

Frame:

so I am going to keep it at zero in this case instead I'm going to adjust the shadows a little bit and remove a little bit of the contrast we know that the waveform represents the exposure and all the tone settings of the frame so see what happens if I play through the clip as you can see right here this is gizmos face so it literally represents the frame of your video if at any point you're just like oh my god I just need to start over it it looks like a mess I was too ambitious I was too enthusiastic with it don't worry you don't need to double click on every slider what you can do is just click on the reset button right here and you will reset all of the tone settings now this is the fun part if you go up here to this check mark and you uncheck this box see what happens  

this is where we started I mean I love this so much I could literally check and uncheck the box all day this is so so freakin satisfying, if you liked this video please let me know in the comments and make sure to subscribe and hit that notification bow, in case you want to be notified when more videos come out and if you can't wait for the next video which is totally fine and understandable, because you just want your videos to be so much better click on this video