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 Trending  Shake Preset Pack Alight Motion

 Today I'd be showing you how to do the shake effect in Alight Motion 

 Also another term is like maybe the the hit effect it's gonna basically be shaking the footage under our control so little before just someone punching, right like so nothing too interesting now when we add in our footage you'll notice that there is this sort of this punch this kick to it when he punches and it makes everything sort of tie together it gives it more force more action.

      we're gonna be doing today this is a very flexible effect, it can be used for really anything if you want to use it to like bump to a beat or sort of do something a car accident or any other sort of hits or where you just want to move it to a element a plot element then this is the perfect effect for you so first things first all we got to do is create ourselves a new sequence I'm gonna I can close out the sequence,

  I have take my footage right here, and just drag it in and it'll create itself a new sequence with all of these settings I got this footage from Envato elements which is a great place if you want to have basically unlimited amounts, of stock footage it's a monthly fee and you can download as much as you want even creates like the licensing and stuff for you which I am a big fan of if you are interested in that go ahead and check out the link in the description below it's a great deal for what you get and I love using it we are then going to go into our footage here and you'll notice that it starts off in slow motion.

     we don't want it in slow motion, so I'm gonna go ahead and right click go speed duration and just double the speed and it pretty much looks like fast motion now now what we need to do is we got to duplicate the footage so click on it hold the Alt key and drag up and you'll see that we now just have an exact replica, and what we want to do is we want to cut right before the hits so right about here move forward until after the hits are done right about there and then throw away the back footage you can click the delete key or you can right click and then go up to clear to remove, that we then have the footage and we are ready to begin first things first. 

 we're gonna go ahead and we're gonna go to the beginning, of the footage we're going to look for an effect called transform now we could just use the position up here in motion however, we lose the ability to add motion blur if we do that so what we're gonna do is we're going to drag on the transform and we're going to use these motion effects instead of these motion, effects this will again allow us to add a little motion blur make it all look a little bit better we're gonna click on our footage.

    we're then going to go into position click the little keyframe right here, we're then going to move forward and try to find the point where we want it to start maybe right about here go one frame two frames forward give it a little bit of a kick to the right we don't want to do too extreme the reason we're copying is because now the bottom layer, is sort of helping us there's not a black bar right here but if we go too far it becomes really noticeable so we just want to go a few frames up and down maybe like so if you want to do something a little bit more intense what you can do is you can actually zoom, it in so if we for example zooms it into 110 we now have the ability to move it a lot farther and it's still within our footage you just have to zoom it in a bit so it's your choice on how you want to do it don't want to zoom in past about 115 anything past that and you start losing, a lot of resolution so you have two options there either zoom it or just kind of keep it normal and make the movements very very tiny and that's what we're gonna do we're gonna make the tiny movements here.

  so I'm gonna move just a little bit over we move just a little bit up and now you'll see that when we hit it moves just a bit so then after our movement, we can click on the footage and then jump to our last keyframe, here we're to move maybe one two and then we want to reset it so we just move it out for just a second and then have it come back you can see we have just a little bit of a hit right there maybe we want to add just a little bit more flare to that so all we have to do is just find the point where it hits where we moved it and maybe make it instead of 974 like 999 90 yeah and then maybe just a tad bit more on the up here and then now let's take a look yeah it looks a little bit stronger, now and so now we're gonna do the exact same thing for the next one so create a keyframe right before they hit maybe Ray y'all do here because that actually isn't moved we'll have to choose which frame we wanna do it maybe I'll put it right here. 

   I'm gonna add the keyframe move, forward one or two frames really accent that hit a bit have it kind of out have it come up a bit the reason I'm going this direction is because that's kind of the way the force of the punch is going so I'm trying to move with the force of the punch move forward one or two frames, reset it and then now we have nice one-two right there and you can see that there's a nice sort of a strong movement with that last hit now we got to clean this up a little bit first things first let's add in that motion blur gonna go unchecked uncheck the use composition shutter, angle go to the shoulder angle bring it all the way up like so the more you bring it up the more motion blur since we're doing small motion.  

 I'm gonna bring it up as high as possible to try to add as much motion blur, as I can you see that it's not much but it does move just a little bit it blurs everything in the direction and that just kind of cleans up the action just a little bit and then we're gonna go into our effects I'm going to look for something called, cross dissolve cross dissolve is going to blend us in with the background a little bit better so click on this and drag it down we can zoom.

   we want is a couple frames here, and what this is gonna do is it's gonna blend us in with the bottom here, so it looks a little bit less noticeable whenever we go through it now we're gonna hit play you can see that we're having a pretty good effect right here so boom boom and if you notice that you watch it one time you won't notice it but if you watch it over and over you're starting to see that maybe this is moving too far off the background with the movement, and so maybe we want to try change it up a bit and maybe add just a tiny bit of zoom to it like 105 if we're gonna do it like that and now if you do that you gotta realize that if you zoom the top layer in the cross dissolves might need to be dropped otherwise. 

   you're gonna get that weird sort of zoom and zoom out, so we have the punch right there of course we can always touch it up now that we have a little zoom on it let's kind of bring it out even more a little bit bring it up some and you can see it blurs even more and now we kind of have a really strong hit happening here, that second one I say could he be even more powerful as well so bring it over really make that move maybe make that one go down and there we go now we got like a really strong sort of punch it makes this look incredibly strong.

 shake effect it's not that hard of an effect to pull off you just sort of add a little bit of motion blur use the transform, tab if you need to cross as all if you need to zoom it in and you can do this anywhere in your footage and have a really really solid and reliable and flexible way of adding the shake effect thanks I remember joining me if you have any question or comments go in the comment section below, on our website at ob masters dotnet if you want to see more videos some of this one go and that subscribe button I make a video every other day or at least I try to ah and it's all that's done guys see ya you                  

 Hello everybody and welcome back to gal today we are going to be talking about transitions, how to apply them and modify them in Premiere we're going to start with built-in transitions and then I'm going to show you how to use this awesome 500-plus seamless transition pack by Pamela 5 so without further ado.  

 let's go ahead and jump on in I have a sequence of different landscape, stock video shots from storia blocks if you guys are interested in the stock video from story blocks I'll put a link in the description, so one thing to note when you're applying transitions is you don't want to overkill it you don't overdo it you don't want to put too many transitions every transition should have an intention or a purpose in your cut now.

   I made a whole video on creative cuts and one of the cuts is a match cut if you want to watch that video put a card in the upper right but essentially, these first two shots have the same movement it's forward movement on a drone so it's a great match on action right it's a very simple one but to make it even more fluid we could apply a simple cross dissolve between them so it's more seamless and fluid the first way to apply the built and cross dissolve is by right-clicking between, the two clips and applying a default transition because by default the cross dissolve is the default transition in Premiere so if you right-click between these two clips and apply default transitions, you will see the cross dissolve is applied and let's see how it looks looks pretty fluid if you need to make the duration longer you can just grab either end and you can see the duration appears just below it and it shows you how many more seconds you are adding.

    so if you want to speed 3 seconds just stop there and you'll see that it's also symmetrical so there's a same amount of raishin on the left of the cut and on the right of the cut and that's because the alignment is Center at cut if we change this to start at cut you'll see that the transition shifts over to start at the beginning, of the first cut or you can change it to end that cut so it'll start towards the beginning and end at the cut more often than not you're going to use the center out cut a couple other ways that you can change the duration that is cool to know about you can right click and you can that transition duration this way or you can go up to effect controls.

 let's say you wanted to make it two seconds you can just change it there and you can see it automatically, adapts so that is the cross dissolve another thing that you may need to do when you are editing let's say you're editing to the beat of the music and there's a beat about right here and you don't want to change the transition, what you can do is hit n on your keyboard to enable the rolling edit control and you can roll this edit cut point to meet the playhead and the transition stays the same so you can move this at any point you need and the transition remains the same it's a pretty cool tool that I use all the time.

   so the second way to apply transitions, is by going to the effects panel going to video transitions, and opening up this folder now you can see that I have a bunch of different transitions, here some of them are built-in and a few of them are paid for plugins so the dissolve folder the immersive video which are transitions, for 360 video that comes built-in premiere iris page peel slide wipe and zoom these are all built-in now if I wanted to apply a wipe between these two clips I would just open up wipe.

  if you guys are also interested I have my own store where and make my own templates, for my patrons each month where you can get them for free if you join the patreon community, but if you want to buy them one off I also sell them in my store at premiere gal com slash store thanks so much for watching everyone and I'll see you guys next time bye you 

 Hello everyone I've gotten a few questions on how I do my velocity which I'm not I'm definitely not a pro at it I've only really started doing velocity transition since, about mid-november but um I've gotten some questions anyway and I just wanted to show kind of how I do it and firstly I apologize for any fan noises and if either I completely, blow the mic or my voice is way too quiet over the fans because, 

   I have really quiet voice and talking fairly loud is quite an effort for me but anyway this is my 19:17 project file and if you're worried I've hidden all the spoilers that were in it but I really just wanted to work with this clip specifically because really this was just with utilizing the camera movement and that's really the first and foremost thing about velocity is that utilize your shots and really analyze what can move to the next thing and this isn't the best example, 

   because I used to shake to transition there, but I used one over here so with this transition you can see like in the in the clip the cameras panning to the right so I just zoomed it a bit and for this one it continued to pan to the right so use your clips analyze where the cameras heading and that's really.

  why I like 19:17 because it really it's a continuous shot, movie so it's really really good for velocity so you can see these two shots just kind of lead into each other but I'm gonna do this clip and with these adjustment layers you see that I just okay I just do a bit of blur no curves I mean just basic I did a side zoom here which you know you can see these keyframes, are not anything I really want to cover but um and it's honestly like you don't even need to do much your with blur no curves or transform or whatever you using to make you zoom and really just are trying to help the velocity out just kind of giving it that extra movement but um my filo clip is in here and always add our SMB.

    when you're doing your velocity and then you know do it after don't do it during like as you're making it because sometimes your computer can crash because ours and me really does not like computers sometimes anyway not the point but I'm just gonna delete this is what it looks like now and then we'll just try it to recreate that so first Twix it's nice but twixtor and so an important thing is you really have to mess with the framerate, with clips that are so I'll go back to this for an example with clips that are a lot of movement I know this one this one he's me you know he's pushing through all these guys there's a lot of character movement with this I put the frame rate up a lot way more than I usually do but I usually do like 12 to 15 because when your cameras panning slowly and there's not a bunch of movement from your subjects, 

    that's what you want is a low frame rate because if you do a high frame rate then there's gonna be frames that are just still kind of like this and this these two frames will stretch on for like five and it'll just look really choppy so just really play play around with the frame right and that's going on so I think I had 15 or so so starting at 100 I usually do like 300 but with things that are really slow camera movements,   

    just mess around with the values honestly so I'm gonna do 500 gear just slow it down it's just say 40 I usually do 30 or 40 and then I think I hadn't won 2-0 so I'll put that at 300 so already we're gonna get some sort of effect there so I might even put this up five seven day yeah I think that's a bit a bit closer never always gonna get it exact exact replica but I want these to change a bit I want you sometimes I honestly do leave.

the first keyframe a bit more but I mean this is a pretty close replication and for anything this is most definitely how I do it so that's really like I said very anticlimactic but that's really it I don't I'm I'm not very special this is really just these are how I do my clips yours could be different yours will be different but um this is just kind of the basic pattern of all so for anyone that wanted this um I hope this helped and for anyone that just stumbled across this I hope this helped but yeah that's I mean I'm just rambling at this point so thank you for watching although I guess I don't know bye 

 TOP 3 Cc Presets Pack

                         Top 3 Cc Presets 

hey guys jill here for premiere basics a weekly series where we teach you all the ins and outs of adobe premiere pro, last week adobe released a brand new feature that lets you color grade your footage with just one click of a button currently, it is only available within the beta version of premiere pro 

  so first let's open up the adobe creative cloud app and move to the beta apps menu then download the beta version of premiere after it's installed open up the beta app and you'll notice that the import menu is already different,  but that's something that we've talked about in a previous video which you can see by clicking the link in the top right corner now 

   i'm going to import some, footage which will be some log footage that we've shot and some stock clips from story blocks that already have a decent color grade we're now going to color grade these clips to get some nice looking colors to start color grading move to the window menu and select the lumetri color panel if you have never color graded before let me give you a quick introduction within the lumetri panel, we have multiple tabs the first one is the basic correction tab from here we can make as the name indicates basic adjustments to our contrast and exposure but also the temperature of your shot.

  next is the creative tab from here you can add luts which you can technically, also do in the basic correction tab but if you apply it here you can still adjust stuff later on in the basic corrections, in the creative tab you can also add sharpness vibrance and saturation next up is the curved step from here you can use the curves to control exposure and colors but in a more advanced way you can also play around with the hue saturation, and luma controls to control specific colors on your shot next is the color wheels and match tab and here you can add specific colors to either the shadows mid-tones or highlights, next is the hsl secondary tab which you can use to make selections of specific colors which is an ideal way to create better skin tones for example and lastly we have the vignette tab which is basically, to create a vignette obviously but you have clicked on this video to see the brand new one-click color grade feature in premiere so let's now wait any longer. 

 when you go back to the basic correction, step you will see a new button which says auto tone now if you click this premiere will apply intelligent auto corrections to your footage and this is all done with the sliders of the basic correction step which means that afterwards you can still have full control over it and change anything if needed so why is this so useful well for beginner video editors this is a fast and easy way to apply a quick and nice looking color grade to your footage as a start you can then use for example the color wheels.

 and results actually look pretty damn great so i can't wait for adobe to release it officially for everyone to use it i hope you enjoyed this video and learned something new and if so make sure to hit the like button turn on post notifications and of course subscribe to the channel and feel free to share this video with your friends or on your socials i'll see you again next week with a new tutorial and as always stay creative.

 Candy Style Transition

                          Soft edit Project file

Hi Guy's with Candy Style transitions, they're a really effective way to make your video feel a lot more cohesive and professional and if you're watching this video I'm pretty sure you've been exposed to a lot of transition packs, and tutorials on how to get those awesome totally cool transitions but today we're gonna be showing you how to create for super simple transitions right inside of Alight Motion.

These are so simple that maybe you'll start to incorporate them into your regular workflow and we're going to avoid transitions, that have gotten a lot of love maybe too much love from the internet so no zoom blurs hopefully you haven't seen all of these before so let's dive right into it with number, one the card whip this one you might have seen in some of our other tutorials in the past your at motion array,

    it's just like treating your footage like a set of stacked cards and when you want to move on to the next one so once you've got your footage down, on the timeline place your first clip on the second layer and your second clip on the first layer like a descending staircase next overlap them, slightly and on your top clip drop on the transform effect from your effects panel.

  once it's here find where you want the transition to happen and keyframe, your position at the start of the transition now move to where you want the transition to finish and keyframe, the position to have your footage completely off screen you'll probably only need a few frames to make this look right make sure that at all times between these two keyframes there's a piece of footage overlapping underneath, this top clip then click this drop down and activate the graph for your motion and keyframes.

So now we can set a position keyframe, where we want these clips to start separating and then make a second keyframe and set it to be just off-screen, then by using these back and forward icons for our keyframe we can bring the playhead back to exactly the same location to make matching but opposite keyframes, for our bottom clip so now we have a linear separation but I want to make it a little bit more dynamic bring up the positions.

 Alight Motion but like I mentioned, if you want to take your transitions to the next level we have tons of transitions for you to check out here at motion, or Raycom we also have a ton of Alight Motion plug-in transitions that you can download at no additional cost to an existing paid motion or a membership and finally if more learning is your cup of tea we've also got loads of other tutorials for Alight Motion, and After Effects feel free to check those out too but that's it for me thank you so much for watching and I can't wait to see you in the next video you.

 Soft edit Project File Download

                     

  What is up you guys so today is going to be a tutorial on how to do five warping transitions, in Alight Motion so let's get started with the tutorial okay so the first transition I'm going to use is the twirly sack so let's go to effects, and search up twirl and then we're going to add it onto our first clip okay now 

    let's go down to the settings and as you can see if I drag that angle to the right it sort of twirls in a circle and also if I keep it at like 60 and I move the radius, it rotates it a bit so I'm just going to reset these settings right now and then I'm going to go to the end of the clip where I want to transition to start and I'm going to press the two key frame buttons, for angle and twirl radius and then at the very end of the clip I'm going to adjust the angle to be about as much as I wanted tutorial so it'll be like one no three ninety nine and the twirl radius will be forty four but because you can see some of the black edges.

Keyframes:

 I'm just going to scale this so I want to stay at the end of the clip and destroy that scale up and then press the keyframe button, and then go to where our transition starts and then reset the parameter so it starts at 100 okay so now you can see that it's sort of twirls and we're going to need to do the same thing for our second clip because, it kind of looks odd just having the first clip looking like that so we can actually do is you can save this as a preset so you can actually add this to any of your video clips very easily without redoing the same settings over and over again  

 so if I select the twirl and then hold command on my keyboard, and select the motion as well and then I right click there's a set of options and I'm going to press save preset and then if you just name the preset I'll just name it twirl transition,and then press ok okay so now if we go to you sex and we can search up twirl transition like we named it and it will be under our presets and I'm just going to add it to my second clip ok bye as you can see the transition happens, at the end of the clip so we're just going to drag those keyframes. 

so I'm going to go to where the transition is kind of happening and then right before the transition starts I want to press the keyboard button for scale and then go to where the transition ends and then once again press that keyframe button, and then I'm going to go to the middle of it and just scale it into like 105 so that's that effect sort of appears through and you can do this to all these transitions, and yeah make it look like colorful I guess so yeah hope you guys enjoyed this video please give us thumbs up if you did scribe for more videos and I'll see you guys in my next video bye guys

 Trending AMV Transition Preset

A weekly series where we recreate the most awesome effects from movies and music videos. However, this week we are doing something different. This week we are creating an effect inspired by Anime. And the effect will be the famous super speed dash, which a lot of Anime heroes have. Now like you know, or not, I'm a huge Anime fan. Like huge! And recently with the lockdown, I have a lot more time at home in the evening, and that's why I'm currently in a Anime overdrive. I'm rewatching one of my favorites, Samurai X, and I'm also watching two new ones, Boku no Hero and Demon Slayer. 

Position:

    All three are, by the way, super good. So, go watch them after this video, ok? Now, when watching them I noticed that a lot of the main characters had super fast reflexes and speed powers, especially with Samurai X and Demon Slayer. And that got me thinking and brought me to this video tutorial. So, addictions can be useful sometimes. Now what do we need for this effect? Well, we are going to need tripod shots. First we need an empty shot of our environment, then keep rolling and let your actor come in the shot and take position. 

    Let him do his acting and make him do a movement towards the direction he will speed dash. Then keep on rolling and let your actor move to the next position he speed dashed to. Here let him act like he moved in with speed. Then you can let him stand still and do whatever or you can repeat these steps a few times so that he dashes for place to another place. Your creative choice. And that was it for the shots that we need. The most important thing is that you keep you camera rolling, so you don't have to touch it and accidentally move it.

   

Effects:

  Now, before we can start with the post production, we first need Anime assets. And where can we find them? Well, on Storyblocks Video of course, the sponsor of today's video. They have multiple awesome packs with cool animations, which are perfect for recreating Anime effects. Just look for cartoon elements and be amazed with the huge amount of awesome assets. Now, of course you can find a lot more on Storyblocks Video. Like muzzle flashes we very often use, light leaks, lens flares, transitions and so much more. 

Keyframes:

Now go back to the ripple out clip and select all four effects. Copy them and now we are going to paste them on the ripple in clip. The only thing we now need to do is switch the keyframes, so the end keyframes will now become the start keyframes. This will make sure that the ripple effect comes in, starting with nothing visible. Exactly the opposite of the first ripple. Now, you are probably thinking "What about the shadow?" Well, duplicate both the ripple in and out clip, place them underneath the other layers and delete everything on the duplicates. 

Ending:

However, it could be due to the fact that they have fancy robot toilets. No paper needed, if you know what I mean. Wink, wink. Also, I found out that the first Anime was made in 1917 and was a two-minute clip about a samurai testing out his new sword. After seeing it, I must say it's special... And I'm glad they evolved to the style and quality they have now, because I really love it. Now, if you have some Anime I definitely need to see, let me now in the comments below. I would love to hear them. And that's it for today, guys. Thank you so much for watching, I hope you learned something new. Thank you Storyblocks Video for the support. And like always... Stay creative!