rc edits official

 hey guys welcome to the video as you saw the clip we are going to make our clips more interesting and wait smooth with rsmb and some color correction before that let me show you my graphic settings that i used in order to record my gameplay here are my graphics settings i keep everything high uh

 if i'm getting enough fps or mostly i use everything low and on low side i keep everything off everything means everything just get this off this off and just turn everything off so yeah these are my graphics settings so let's get into premiere pro and we'll apply effect there so as you can see we are in premiere pro and i already imported my clips both clips these this one is in high graphics setting and this one is in a low graphics setting uh this clip is recorded in shadow play i don't use any filter in shadow play i use third party vibrance gi to get vibrance and this one is recorded in obs i haven't seen much of a difference between shadow play recording and obvious recordings in colors

 so they both look same and make sure your sequence settings uh frame rate and your clay frame rate are same so let's work on first clip which is in high high graphic quality so we are going in effects tab search for lumetri color there it is then drag it on your clip go to effects control if you can't see effects control make sure it's enabled in windows tab and effects control or you can press shift f5 then uh open up the basic correction tab now we are going to mess with a white balance you can use this eyedropper to set white balance or but i don't use it personally because it it's not that accurate 

so we are going to mess with temperature for this clip if you go on cooler side which is in negatives it doesn't look that nice so i will be adding some warmth in this clip you can add around 13 is bit high 10 6 6.5 6.5 was okay so i'm making it six this looks nice then i'm adding 10 14 don't go on negatives it starts looking greenish and it doesn't look that nice so we are going to add a bit of it okay it looks nice so make it look six yeah i round figure most of the time then next is tone in tones uh first is exposure and on exposure i don't like it to decrease so i always increase my exposure either by 0.3 or 0.6 i know 0.6 is bit bright for this clip but when we mess with contrast highlights and other stuff it will look nice to be with me now we are going to add contrast so for contrast you can go like high around here but i don't go that high around 13 13 12 they would look both look same so i'm keeping 12. on highlights i increase my highlights i know it's making uh brighter again but bear with me well these are my settings then shadows we're going to decrease reduce the shadows let it save itself make sure you save of course as you can see it started looking different minus 12 for this looks the same for 13 again next is white right i'm going to decrease whites again keep it negative 12 and blacks also i'm going to reduce it you can keep it around 0.6 or 3 around negative six that will keep the details as you can see if if i go a bit high like low then it starts losing details or you can set it to zero that's a personal favorites reference but i keep it around negative six or negative three it is six or negative three 

let's let's go for that yeah before going further let's see before and after so here is the before here is the after now let's move on next is creative tab don't add saturation here uh we are going to add in creatives first is first is we are going to mess with is shadows then for clip like this where you have a width everything is smoother out so you are going to use 24 if you had experimental sharpening either you turn it off because it sharpens already or you can set it around three or keep it around well then just mess with it uh keep it as you like it the reason i'm keeping it on 12 because we are going to add motion blur and it will smooth around things so uh it doesn't make that much of a difference so next is vibrance and we are going to add vibrance around 30 28 30 30 is good you can go for 24 30 36 and 42 these are my values i play with them depending on the clip next is saturation here we are going to add saturation don't add too much saturation 130 and 124 is good 124 to 120 130 looks nice after that it started it starts looking to be honest a bit too much so 130 is okay let's save it after that if you want you can mess with uh shadow tint and highlighting around here um just to make i think shadows i'm going to keep my shadows bit cool side and then highlights on the warmer side if you it doesn't make that much much of a difference but you can uh mess with them and get better results let's save it now i will finish with the creative part creative tab then we are going to add some curves we are going to mess with only this uh this curve so add this from here just a little bit just a little bit yeah okay it's too much it's too much yeah then take it away from here it's it adds contrast and we added contrast here but i like to add uh touch from here as well that's this is my style of work and after that there is a hue saturation curves i don't mess with them so just ignore and you can play with colored wheels let me close this up if you're liking tutorials so far don't forget to hit the like button and subscribe if you haven't with notifications on 

now let's get back to the tutorial okay so in mid tones yeah you can set mid tones around warmer side or you can set it on cooler side it looks nice and i'm going to add mid tones and then shadows around here just okay just a little bit on our inside and decrease the shadows slightly decrease just don't just don't make it low then highlights same highlights with a bit of a blue and then reduce them i know it doesn't make that much of a difference but when we uh collect everything that we done it makes a nicer image nicer nice image like now you can see this is the before it is here is the after yeah next uh next is hls secondary i don't mess with this so let's ignore this and last part is vignette i know we added vignette in in-game settings but here we can control it so i'm going to mess with this as well uh just open up amount and if you go above 0 a value above 0 it will start whitening the edges we want to darken the edges so we are going to go on negatives this if you go below like the negative one it start looking uh not so good so make sure you keep it around 0.5 0.2 uh [Music] 0.3 yeah it looks nice then there is a midpoint so what midpoint does is if you go on lower side it darkens the area towards center and if you go higher it cleans it brightens it or it removes the dark vineyard from there

 so we are going to keep it around 42 because 50 is default and around 42 or 36 if you want it looks nice you know what uh let's keep it let's go a bit further as well because it's yeah it's too much so let's add it around here like 30. yeah it looks nice next is roundness you can mess it with it uh because it controls the how around the vignette can is going to be but i don't mess with it it it's okay as it is and last is feather feather we are going to increase further to give it a soft soft transition if you want to see uh how much it's changing you can like go full here and then change then make changes here so you can clearly see what's happening so we are going to add around 60 yeah it's okay because if you go there if you go further it's it starts losing this area as well so making we are keeping it 60 and then turn this back to zero point three yeah these are my settings for color correction yeah let's save it first 

so let's see before and after before uh going further so here is before here is after and by the look you can see that it created dramatic effect so let's move on to next part which is adding a motion blur motion for motion blur i use rsmv if you use rsme pro then these are my settings with much a blur amount 0.6 you can add amount uh but for normal gameplay videos it doesn't look nice to have that much of a motion blur for montages it looks nice if you go around 2.4 you can yeah you can go in uh on 2.4 if you want but 2.4 it is actually high you can it depends on your clips go around 1.2 0.2 for montages uh on most of the clips and for 0.6 on gameplay videos and next is sensitivity only i only messed with blur amount and sensitivity sensitivity so sensitivity will be 60 just don't add that much sensitivity because it smudges uh most every motion it senses so yeah and next is foreground settings give it 0.6 and 68 same as main background yeah these are my settings and another thing is i set my interpolation time interpolation to frame blending or optical flow mostly optical flow it gives accurate results and if i want a ghosting effect like the just let me off turn it off if i want ghosting effect like this [Music] just watch here i think i can yeah this one the ghosting effect if 

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i want ghosting effects uh then i will use frame blending but most of the time i will use this one because it uh i will use optical flow cause it's pretty accurate but sometime it works so i don't use it very often for this i'm using frame blending turn it off turn it on motion blur yeah this is what my settings are so i'm going to work on low graphics settings as well because you can't use the same color correction on low graphics clip so it is the after yep is the before okay yeah i messed it up he's the before he's the actor there's before here's the after that that's what i meant by uh keeping sharpening high because motion blur will smush things out it will mess it will affect the sharpening so it doesn't make that much of much of a difference so we are going to copy this settings and paste it on low graphics setting a low graphic clip

 so i'm duplicating this one copy paste and resetting then open up this one open up a newer color correction effect and we are going to mess with temperature now we are going to make it a cooler cause if you look at this clip it looks cooler on this side 

so we are going to make it cooler and turn this around here okay 30 looks nice do 30 i'm not going to mess with 10 and only thing i'm going to mess with in tones is contrast just adding little bit of contrast and shadows see it's fine and next is creative then adjustment and now we are going to mess with shadow tint and highlight tint so we are going to make this one around [Music] like this okay and highlighting to go around here yeah this looks nice this is the before here's the after and we're pretty much done here if you want you can mess with color wheels here with mid tones and all can make them look like this decreasing in decrease in mid tone then shadows shadows around the side i'm just tweaking a little bit little bit i won't be messing with highlights but it looks nice already so it's look closer to this one let it load it looks closer to this one you can tweak a little bit and let's set uh frame blending to this 

so let's compare it with final version you can compare your clips or frames with this uh this option here if you don't have this comparison view just go to plus and this one is comparing design view you can drag it out here now to compare it uh let's keep it here copy paste and then here so this is what it was and this is it is now now 

we are going to save these effects as presets so we don't have to do this again and again so for that select a clip go to effects control select the effects you want to save as preset then right click save preset name it whatever you want i will call it red rest because when i upload this clip on reddit people liked it and someone comment said it looks like redressed and all so i like that comment that's why i'm using it as name so i will call it a retrace and you can check your preset here just type replace or whatever your name it will come up here so yeah that's it for this videos if you like it don't forget to like it and subscribe to the channel make sure you turn on the notifications and comment your thoughts how you liked it if you wanna see these type of videos like tutorial videos or you want to see gameplay videos with these settings so make sure you comment this and see you guys next time peace 

                PRESET LINK HERE

hey guys Rc here for alight basics a weekly series where i teach you all the ins and outs of adobe premiere pro and today i'm not doing it alone we have a feature today with no one other than storisium now today we are going to teach you eight different transitions that are so simple that you don't even need presets for them so without any further ado let's get started and fire up adobe alight now let's start with a visual transition that depends on your shots when transitioning from one shot to another look for a second shot with visual elements like rocks trees or other objects now place the two shots behind each other then duplicate the second clip and freeze frame the first frame now place that above the end of the first video track then we're going to take our time and properly mask around an object now this can also be a rock a billboard a person whatever if there are multiple objects on screen you can duplicate the layer and mask these objects as well okay once you've masked your object nest the layer and go to the effect panel take the transform effect and drag it onto your nested layer then go to the effect controls panel and deselect the composition shutter checkbox set a custom one of 180. then animate the object so that it pops on screen you can do this by placing keyframes for the position property now don't forget to ease your keyframes once you've made this animation now you can make this longer by dragging the layer more over the first video of course and if you have multiple objects try and play around with different speeds and different directions and as a finishing touch you can always right click on the cut between the two video clips and add a cross dissolve but make it quite short this will give you this result hey jill thanks for having me on your channel it's awesome to be here the next transition is one of my personal favorites and i like to call it the glow transition it's a little similar to the dip to white effect that is built into premiere but also a little different anyway you'll see inside premiere we're going to use these two clips on the timeline for the demo i'm going to start by adding an adjustment layer you can do this in the project panel click on the new icon and then select adjustment layer you can accept the default settings and click ok we can now drag the adjustment layer over to the timeline and place them on top of the two clips of course you can choose any duration for the transition but in this case i'll go for two seconds and i also want the adjustment layer part on the second clip to be a little longer than the part on the first clip    

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completion and then we need to create two more keyframes with the value 100 and then put these two at the beginning and the end and also here we're going to make it a bit more smoother by right clicking on the first keyframe and then select ease out and then right click on the middle keyframes and select bezier and for the last keyframe we'll select ease in and if i now open up the graph you can see that there's a nice curve this will give more smoothness to the animation in some cases mainly depending on the footage the cut between the clips might still feel a bit rough but you can fix this by adding a simple cross dissolve effect between the two clips this will make it blend a lot better and that is all you need to know to create this awesome drawing transition let's have a look at the final result [] wow that was awesome now guys if you want to see our next four transitions then head over to sterezium's account the video is also linked in our credit scene so go ahead and look at those other transitions if you want to master all of them i'll see you guys next week for a new live stream and a new tutorial and as always stay creative

           PRESET LINK HERE

Hi Guy's 

hi my name Rc Edits and in this tutorial i'm going to teach you some tips about exporting frames, and even being able to arrange your own youtube thumbnails all in premiere now typically i would suggest that you just do this in Alight Motion or some sort of design program if you don't have Alight Motion, but if you are working kind of in a quick moment in premiere there are little things that you can do that you can just make it in premiere as well just as well so i have a little book club playlist on my channel which is not the traditional type of thing

I do but when i upload the videos sometimes straight from my phone i want to get a good frame i don't want to get a frame where i'm looking stupid so what i thought to do was simply take the video in premiere find the book cover online so i have a couple different options, here and i can kind of arrange them in in premiere as their own graphic layers i can move them to where i need just like this or even scale them up and make them big enough to fill in the whole side.

 if i want and if you want an easy way to just move stuff around just highlight the selection tool make sure you're in the program window and highlight that position parameter in the effects control, panel and you can just move it around kind of very similar to Alight Motion, you can scale it exactly how you like and i can put it there in the corner and then i can kind of just scrub through find a good frame maybe where i'm looking thoughtful, or not stupid looking i can even add text if i wanted like with the type tool i can write out whatever i want and move those around and even in the essential graphics panel adding backgrounds and strokes for these.

 Just a simple way to build text and titles if you did want again something that you might not need to go to Alight Motion or if you don't have Alight Motion, another tool for you something like this i do always like to remember that the timestamp right now is in the corner on youtube so maybe not to put too important information there in that corner and you also have all these different video effects, that you can generate so if i wanted to generate a gradient or a ramp i can do that as well on perhaps like a new black video so new black video add that on a layer in between maybe add a ramp and in this way i can add different colored.  

Alight Motion or if you want to just check out my tutorials i've made for making thumbnail tips and basics in Alight Motion, i would recommend you do that because 90 of the time i'm making them in Alight Motion but hopefully you enjoyed this little idea and got some tips from it whether that just be the export frame button, or you picked up some other tips as well if you did enjoy this video check out my channel for more subscribe to stay tuned for all my new videos thank you so much for watching and i'll see you in the next one.

what's going on youtube Rc with venture visuals and on this channel we break down trendy music video effects and creative editing skills and today i could not be more stoked to be showing you guys this film roll transition that's very easy to create in alight motion pro but before we get started i just want to shout out you guys out there in the audience who are watching my tutorials and leaving comments liking the videos all that the channel just hit a thousand subscribers this week which i am stoked about and you guys helped me get there so the first thing.

 we're gonna do is basically just identify where we want the transition to start so this is where i think a good spot for this transition, is gonna be so as you can see we already got the two clips split in half like that what i'm gonna do is hold shift on my keyboard go to the left and that's gonna bounce over five frames here on the left

 i'm gonna make a cut right there and now i'm gonna hit shift and go to the right twice that's gonna go to the right ten frames and i'm gonna make a cut highlight them right click on them and nest them so they are just one clip here on the timeline so what we need to do first is add in an effect called offset so that's over here in our project panel we're just going to type in offset and you'll see it under the distort folder we're going to drag that onto our nested sequence like so you're not going to see anything happening here in the beginning, and that's fine we're going to make a keyframe under shift center too i'm going to drag that keyframe to the beginning so now what we're going to do is scroll to the right here on our nested sequence adjust this shift center two.

    we're gonna drag this value of 540 and we're gonna just play around with this let's go maybe to like 5000 okay so it'll be a pretty quick transition here so check this out so you can see it right there maybe that's a little bit too fast so let's take this value let's go down to like three thousand that's probably going to look a little bit better so now when i play it back we'll get this so that looks a lot better than how fast i had it going before step two for us is gonna be to add an effect called fast blur.

   so we're gonna go to our effects panel and we're just gonna look up bass blur under obsolete we're gonna drag that onto our nested sequence as well and we're just gonna turn this blurriness up to about 115 right so it gets blurry like that but we don't want it to be blurry on the horizontal, and vertical the blur should just be horizontal okay so we kind of get that look step three is gonna be to add a circle okay so we're gonna type in circle and we're gonna click and drag that onto our nested sequence so now with this circle up in our effect controls we're going to change the radius to like 700 right so we get a very very large circle here.

   we're going to go ahead and like keyframe the center and the radius points for this circle just going to keyframe, and move this point around a little bit maybe we'll have it like kind of bleed in to the frame a little bit like that and then maybe uh the radius gets a little smaller you know right around the middle and then we'll go kind of like we'll get big again and then you know we'll drag the position down a little bit here from the center and you know it's making these keyframe, points now when we scroll over the nested sequence you can see how that circle is moving right but like what is this circle for okay so i'm going to explain this to you guys this is kind of an interesting way to make light leaks or film burns in alight motion so what i'm going to do is change the color and i'm going to make it uh somewhat of an orange color you know something like, that looks good and then what we're going to do is we're going to feather this outer edge a ton we start to get this you know really feathered edge here with our orange circle i'm actually going to turn it up a little bit more 

 so we're going to bring this up to even you know let's go to like 950 okay perfect now we got this really nice soft edge come down under opacity and change the blending mode to add and now we can see our clip behind it so now when i scroll over we get that film burn type of look that just kind of comes into frame as the transition, starts step four is going to be to duplicate this light leak that we just made i'm just going to click on our circle here in our effect controls i'm going to hit command c command v right so that's going to make another circle and as you can see our light leak gets a little bit brighter which is awesome i'm just going to change the second circle and i'm going to change the color to something a little more red okay so you know we get more of an authentic fiery type of look now what i'm gonna do is just change the center and radius key points the keyframes so that it looks it's a little bit offset from the first light leak that we created right 

so i'm going to drag it maybe over here to the right side and then you know here in the middle we can you know maybe have it stay on the right side go down a little bit so it's kind of in the opposite corner of the orange and then here at the end you know it's fine if it kind of goes across the screen a little bit maybe a little bit less maybe just to like the middle part okay so yeah now i keyframed,that second film burn that second circle a little bit differently so we have it you know on the other side of the frame it doesn't look identical to our first film burn and that just helps give it that more authentic look and feel the effect is pretty much done all we need to do is add in a little bit noise give it some texture we're going to come over here to our effects tab type in noise and we're going to find it under noise and grain right here we're just going to throw that onto our nested sequence as i increase it you can see this is like very very high percentage here 100 noise we don't want that we just want something a little bit more textured than just like your your normal clip right so we just want to add a little bit of texture in there so i'm going to hover around 10 percent on this noise you know you can see these little noise particles here over the frame so that just helps give it some texture makes it look a little more authentic so i'm just going to hit i on my keyboard, to mark the in point and i'm going to hit o on my keyboard to mark the out point i'm going to come up here to sequence and i'm going to hit render into out this is going to pre-render what we have so far so now you can see this green bar here on top means this sequence is fully rendered out to maximum quality it's not going to lag at all so now when we watch it back check it out [Music] yeah so pretty cool one thing i would change is just how this transition starts and i would actually easy ease out this first offset keyframe so i'm going to right click on that keyframe hit temporal interpolation, go to ease out right there and so now it's going to ease out of the original frame a little bit smoother instead of just going straight into the transition

Hello video creators! Welcome to Rc edits. 

In today's tutorial I'm going to show you how to make the following... ...Smooth Grid Zoom transition. To make this transition, we'll first create a four-grid video wall... ...then zoom out on one of the clips and zoom in to the next one. We're going to do this all inside Alight Motion. But you should also be able to do this in older versions... ...like CC2017 or maybe even CS6. For some parts of the transition, I've also made a preset.

 You can download these presets for free. More on that, later on in the video. This tutorial video consist of two parts. In the first part you will learn how to build the transition. And, in the second part, you will learn how to import and use the presets. You can find the timestamps for both parts in the video description. Before we move over to Premiere... ...I want to tell you why you need a subscription on ... ...the sponsor of this video. Envato Elements is a great source for all your creative projects. They offer millions of high-quality items. Like stock video and images. Music and Sound Effects. But also many transition templates and presets. 

If you want to try them out, then use the link in the video description... ...to claim a discount on your first month. The links can be found in the video description. Okay, let's now head over to Premiere and start some editing. So, first I will show you how the transition and the presets are made. This way you know what to adjust if you want to customize them. Here, on the timeline, I've already got two clips that we're going to use for the demo. And, besides that, I've also got two images that we're going to use for the footage wall, or grid. Now, to start off, we're going to put the second clip on the second track of the timeline... ...partially above the first one. In my experience, around 3 seconds of overlap works best for this transition. But, of course, you can use any duration that you prefer. 

Now, we can add both stills to the timeline, right on top of the other two clips. Next I'm going to switch over to the Razor Tool by hitting the C key, or click this icon here. And then, we're going to cut the track at this point. And, we'll also cut the bottom track at this point. Then we can switch back to the Selection Tool, by hitting the V key, or click this icon here. Then select the parts that we just cut off and remove them by hitting the "Delete" key. Now we can also move this cut off part back to the first track, just to keep it all organized. Now here, we've got the four parts that we're going to use for the footage grid. But, before we can do that, we first need to do some Scaling. And that's because the images are a lot bigger then the size or resolution of the sequence.

 So I will select one of the images and then head over to the Effects Control Panel... ...and then scale it down until it looks better inside the frame. I also want to resize the second image, so I'm going to disable the top track for now. And then I can select the second image on the timeline... ...and then also scale it down inside the Effects Control Panel. And in case you also need to adjust the scaling for the second track... ...you could always disable the third track, and so on. In the next step we're going to "Nest" the four layers. And we're going to do this because all the layers have different resolutions. To do this, right click on one of the layers and then select Nest. You can then accept the default name and click OK. And we're going to repeat this same step for the other 3 layers. This Nesting part is important because if we don't do this... ...all the next steps for this tutorial will fail. And now to make this one complete, we'll also Nest all the nested sequences together.

 So, I'm going to select them all, then right click and select Nest. And then accept the default name and click OK. Next we can double click on this nested sequence to open up the other four layers. In the next step we're going to apply the Transform Effect to all the nested sequence layers. In the Effects Panel, we're going to search for transform... ...you'll find this one under Video Effects, Distort. We can now drag this effect over to the timeline and then apply to all the 4 separate layers. And now that all the layers have the Transform effect applied... ...we're going to adjust them one by one inside the Effects Control Panel. We're going to set the Scaling value to 50% for all the 4 layers. And, for this example, we want this image to be in the left top corner... ...because the transition will be from the top right to the bottom left. 

So, I'll set the position values to 960:540. And this, by the way, is a 4K 16:9 aspect ratio sequence. If you're using a full HD resolution, then you need other position values. Let's continue on with the next layer. This is the second image, and we want this one to be in the right bottom corner. As you've just seen, we need to change this one to 2880:1620. And then also set Scaling to 50%. Next, we've got the second clip in the video transition. As I said, we're going to move from the top right to the bottom left. So, this one needs to be in the bottom left. First I'll set Scaling to 50 and then change to position value to 960:1620. And now we've only got the first clip left over to be changed. First I'm going to set Scaling to 50 and then change the position values to 2880:540. And that looks perfect. All the layers in their right position. Now, we can close this nested sequence and then go back to the main sequence. As you can see we've now got the 4 clips ready for the zoom out and in animation. And, we'll also do this with the Transform effect. So, I will apply this effect to the nested sequence. And then make sure you've got the nested sequence selected... ...head over to the Effects Control Panel... ...and enable keyframes for Scaling and Position. First, I'll create a couple of keyframes for Scaling. We'll need 2 keyframes with value 200% at the beginning and the end of the transition. And we'll also need 2 more keyframes with value 100%... ...and these 2 will be in the middle of the transition. And together, these are the 4 keyframes that we'll need for Scaling.

 Next, we're going to create a couple of keyframes for position. The first one will be in the right top corner, so I'll use Position 0:2160. And then I'll move this keyframe to the beginning of the transition. And next I'll need 2 keyframes with value 1920:1080 for the middle. Also, make sure that the Position keyframe are aligned with the keyframes for Scaling. We need one more keyframe with value 1920:1080... ...and also align this with the Scaling keyframe. For the final keyframe I'm going to move a couple of frames forward... ...and this one will be the Position keyframe for the left bottom corner. And the value for this one is 3840:0. And that keyframe needs to be moved to the end of the transition. 

Next, we'll make the animation a bit more smoother. We're going to select and right click on the last keyframes and then select "Ease In". And then do the same for the first keyframes, but then select "Ease Out". And now we finished the top right to bottom left zoom transition. And I've got some good news for you. I've made a couple of presets in 8 different directions. And I'm going to start by telling you where to download them. If you follow the link in the video description... ...you will get to a page that looks something like this. As I mentioned in the beginning of this video, it is free. But if you do want to make a donation, then please donate your like to this video... ...or leave a comment below, that really helps a lot. Anyway, to continue, you need to click on buy now. In the next screen you need to enter your email address, select your country... ...accept the terms and conditions and then click continue. After that, you should receive a download link in your mailbox in a couple of minutes. After downloading, be sure to unzip the files before you move over to Premiere. Inside Premiere, you need to go to the Effects Panel and then go to the presets section. Right click on it, and then select Import Presets. Then browse through the folder where you've got the extracted preset file. Select it, and then click OPEN. 

For this demo we're going to use the bottom left to top right transition. Now that we know which transition direction we're going to use... ...we can apply the position presets to the layers. And you can do this by simply dragging the presets over to the timeline. And now everything is in the right place to make the transition... ...from the bottom left to the top right. And to do this, we need to select all the nested layers... ...then right click and then select Nest. You can accept the default name and then click OK. And, after that, the final step is adding the right direction preset to the nested sequence. And that's it! These are the steps that you need to follow to use my presets. And that also concludes this video grid zoom transition. I really hope you enjoyed this tutorial... ...and if you did you might also want to check out one of these 2 videos. Anyway, as always, thanks a lot for watching and I hope you have a wonderful day. 

              XML LINK HERE

Hello video creators! Welcome to Rc edits. 

In today's tutorial I'm going to show you how to make the following... ...Smooth Grid Zoom transition. To make this transition, we'll first create a four-grid video wall... ...then zoom out on one of the clips and zoom in to the next one. We're going to do this all inside Alight Motion. But you should also be able to do this in older versions... ...like CC2017 or maybe even CS6. For some parts of the transition, I've also made a preset.

 You can download these presets for free. More on that, later on in the video. This tutorial video consist of two parts. In the first part you will learn how to build the transition. And, in the second part, you will learn how to import and use the presets. You can find the timestamps for both parts in the video description. Before we move over to Premiere... ...I want to tell you why you need a subscription on ... ...the sponsor of this video. Envato Elements is a great source for all your creative projects. They offer millions of high-quality items. Like stock video and images. Music and Sound Effects. But also many transition templates and presets. 

If you want to try them out, then use the link in the video description... ...to claim a discount on your first month. The links can be found in the video description. Okay, let's now head over to Premiere and start some editing. So, first I will show you how the transition and the presets are made. This way you know what to adjust if you want to customize them. Here, on the timeline, I've already got two clips that we're going to use for the demo. And, besides that, I've also got two images that we're going to use for the footage wall, or grid. Now, to start off, we're going to put the second clip on the second track of the timeline... ...partially above the first one. In my experience, around 3 seconds of overlap works best for this transition. But, of course, you can use any duration that you prefer. 

              MATERIALS LINK HERE

Now, we can add both stills to the timeline, right on top of the other two clips. Next I'm going to switch over to the Razor Tool by hitting the C key, or click this icon here. And then, we're going to cut the track at this point. And, we'll also cut the bottom track at this point. Then we can switch back to the Selection Tool, by hitting the V key, or click this icon here. Then select the parts that we just cut off and remove them by hitting the "Delete" key. Now we can also move this cut off part back to the first track, just to keep it all organized. Now here, we've got the four parts that we're going to use for the footage grid. But, before we can do that, we first need to do some Scaling. And that's because the images are a lot bigger then the size or resolution of the sequence.

 So I will select one of the images and then head over to the Effects Control Panel... ...and then scale it down until it looks better inside the frame. I also want to resize the second image, so I'm going to disable the top track for now. And then I can select the second image on the timeline... ...and then also scale it down inside the Effects Control Panel. And in case you also need to adjust the scaling for the second track... ...you could always disable the third track, and so on. In the next step we're going to "Nest" the four layers. And we're going to do this because all the layers have different resolutions. To do this, right click on one of the layers and then select Nest. You can then accept the default name and click OK. And we're going to repeat this same step for the other 3 layers. This Nesting part is important because if we don't do this... ...all the next steps for this tutorial will fail. And now to make this one complete, we'll also Nest all the nested sequences together.

                    XML LINK HERE

 So, I'm going to select them all, then right click and select Nest. And then accept the default name and click OK. Next we can double click on this nested sequence to open up the other four layers. In the next step we're going to apply the Transform Effect to all the nested sequence layers. In the Effects Panel, we're going to search for transform... ...you'll find this one under Video Effects, Distort. We can now drag this effect over to the timeline and then apply to all the 4 separate layers. And now that all the layers have the Transform effect applied... ...we're going to adjust them one by one inside the Effects Control Panel. We're going to set the Scaling value to 50% for all the 4 layers. And, for this example, we want this image to be in the left top corner... ...because the transition will be from the top right to the bottom left. 

So, I'll set the position values to 960:540. And this, by the way, is a 4K 16:9 aspect ratio sequence. If you're using a full HD resolution, then you need other position values. Let's continue on with the next layer. This is the second image, and we want this one to be in the right bottom corner. As you've just seen, we need to change this one to 2880:1620. And then also set Scaling to 50%. Next, we've got the second clip in the video transition. As I said, we're going to move from the top right to the bottom left. So, this one needs to be in the bottom left. First I'll set Scaling to 50 and then change to position value to 960:1620. And now we've only got the first clip left over to be changed. First I'm going to set Scaling to 50 and then change the position values to 2880:540. And that looks perfect. All the layers in their right position. Now, we can close this nested sequence and then go back to the main sequence. As you can see we've now got the 4 clips ready for the zoom out and in animation. And, we'll also do this with the Transform effect. So, I will apply this effect to the nested sequence. And then make sure you've got the nested sequence selected... ...head over to the Effects Control Panel... ...and enable keyframes for Scaling and Position. First, I'll create a couple of keyframes for Scaling. We'll need 2 keyframes with value 200% at the beginning and the end of the transition. And we'll also need 2 more keyframes with value 100%... ...and these 2 will be in the middle of the transition. And together, these are the 4 keyframes that we'll need for Scaling.

 Next, we're going to create a couple of keyframes for position. The first one will be in the right top corner, so I'll use Position 0:2160. And then I'll move this keyframe to the beginning of the transition. And next I'll need 2 keyframes with value 1920:1080 for the middle. Also, make sure that the Position keyframe are aligned with the keyframes for Scaling. We need one more keyframe with value 1920:1080... ...and also align this with the Scaling keyframe. For the final keyframe I'm going to move a couple of frames forward... ...and this one will be the Position keyframe for the left bottom corner. And the value for this one is 3840:0. And that keyframe needs to be moved to the end of the transition. 

Next, we'll make the animation a bit more smoother. We're going to select and right click on the last keyframes and then select "Ease In". And then do the same for the first keyframes, but then select "Ease Out". And now we finished the top right to bottom left zoom transition. And I've got some good news for you. I've made a couple of presets in 8 different directions. And I'm going to start by telling you where to download them. If you follow the link in the video description... ...you will get to a page that looks something like this. As I mentioned in the beginning of this video, it is free. But if you do want to make a donation, then please donate your like to this video... ...or leave a comment below, that really helps a lot. Anyway, to continue, you need to click on buy now. In the next screen you need to enter your email address, select your country... ...accept the terms and conditions and then click continue. After that, you should receive a download link in your mailbox in a couple of minutes. After downloading, be sure to unzip the files before you move over to Premiere. Inside Premiere, you need to go to the Effects Panel and then go to the presets section. Right click on it, and then select Import Presets. Then browse through the folder where you've got the extracted preset file. Select it, and then click OPEN. 

For this demo we're going to use the bottom left to top right transition. Now that we know which transition direction we're going to use... ...we can apply the position presets to the layers. And you can do this by simply dragging the presets over to the timeline. And now everything is in the right place to make the transition... ...from the bottom left to the top right. And to do this, we need to select all the nested layers... ...then right click and then select Nest. You can accept the default name and then click OK. And, after that, the final step is adding the right direction preset to the nested sequence. And that's it! These are the steps that you need to follow to use my presets. And that also concludes this video grid zoom transition. I really hope you enjoyed this tutorial... ...and if you did you might also want to check out one of these 2 videos. Anyway, as always, thanks a lot for watching and I hope you have a wonderful day. 

              PRESET LINK HERE

Introduction:

hi friends this is video Lancer in this video I will show you a simple way to create these popular distortion zoom transitions.

    so let's start create a new composition,and import your footage --es into it create an adjustment layer cut the adjustment layer at the junction between two footages the first part of the adjustment layer, will be responsible for the beginning of the transition the second is for the ending. 

     so let's call these layers in and out respectively use transform effect for the in layer and animate parameter scale, from 100 to 300 percent now smooth the animation a little in graph editor so that speed could increase closer to the junction make this similar animation for out layer set 25% for scale value near the junction and 100% for the final key smooth the graph so that the animation slow, down at the end you to fill the blank space that appeared here use motion tile effect and increase values for output.

    nowlet's add motion blur switch off a check box in transform effect and increased,  value of shutter angle up to maximum a leaping appeared at the junction to fix this simply slide this key one frame forward this stair effect was caused by the limits in 16 samples per a frame 4 transform effect in order to fix it just add extra smoothing on problematic Clips it can be done by CC radial blur effect you,

      it's ready at this stage the transition is already looking good but we'll go on a doctor's compensation effect, on the in layer switch on checkbox reverse lens distortion for parameter fov set animation values from 0 to 160 then copy optics compensation effect to the out layer here, you should switch on the checkbox optimal pixels, for parameter fov set animation values from 160 to 0 then smooth the animation in graph editor.

   you if it is necessary you can correct the animation for scale in order it could match distorting effect maximally, well you you can add intermediate keys in order to smooth the better closer to the ending you now let's add chromatic aberrations I won't show in detail how to create them you can see this in my previous video overviews I'll just add a ready preset animate the shift parameter in the preset settings peak, should be at the junction of the transition you it is ready.  

 it looks very cool but to complete the transition, we need to add the option to change zoom target add a new null object and call it target control go to settings of chromatic aberrations and click on optic center while holding down the Alt key now link these parameters, to position of target control layer copy this expression into other effects that have point control this is the anchor point and position of transform effect center of optics compensation effect, and CC radial blur you it is ready you and finally let's add a sound effect done that is all if you like similar effects you can get hundreds of similar transitions ready for use they are power zoom elastic diamond lenz and others all the links are in the description.

  I do hope this video tutorial was useful for you next time I will show you how to create the similar zoom transition directly,in Premiere Pro subscribe to not miss this was video Lancer so long.

this video is brought to you by story blog whatever you guys like Rc and welcome to where we recreate effects for famous movies and music videos and today we're having a look at three more effects from the music video seeker mode by Travis Scott featuring Drake but today we are going to do things differently because Jordy still on vacation together with his girlfriend Kim but I'm sure that they are missing us isn't that right mmm that hurts [Music] guys and that's supposed to be in this video I mean look around me I got better things to do anyway since there's a camera in me 

now I'd like to make a quick shout out to story blocks our channel sponsor sorry blocks is an online library where you can find Alight Motion  templates stock footage transitions video effects and a ton more I'm currently in Iceland making a beautiful travel video and a lot of the shots that I'll be taking here will also be published to their library so if you already have a membership you can just download them when they are available and if you aren't a member yet well then definitely make sure to check it out by clicking the first link in the description below walk further geordie as for today 

we're again having a look at psycho mode from Travis Scott and Drake because last week we showed you how to do two hyperlapse effects and a slanting effect in this video we are recreating in other three effects but this time it's all gonna be in Premiere Pro but first let's build a nice set so we're giving the cars an extra touch we're going to put these specular from spiffy gear under a car so you get that neon look like all those student cars from need for speed and fast and furious in the sync mode music video there is a certain effect named data machine this is an effect where the data of the footage is manipulated in order to achieve this kind of glitchy pixel transition now we are going to recreate its transition with Premiere Pro and an additional software if you want to create a good data mushing effect you have to create motion in your shot either do this with a camera movement or you can do it in post-production like we are going to do this way the motion will be in tensor and the effect will come out better in the music video you can also see two kinds of data mushing one we are averaging mushes and one where a person is cut out we are going to explain the one where the person is cut out because the other one works exactly the same for the one with a person cut out we are going to use a green screen in the same scene that you are putting your subject try to imagine lighting as good as possible so it really looks like he's standing in the scene to director in front of the green screen and should your background without the actor

 now let's get into Alight Motion from the project panel drag the clip from Janak into the timeline on this we are going to add a pre glitch so go to your effects panel and look for the turbulent displacement effect from the effects control panel you can set it as placement to horizontal displacements then scroll to almost the end of the clip and enable the animation for the amount and set this to zero go to the end and decrease it to 350 now we are going to set the other parameters so stick with me set-asides 253 the offset to 1080 2 by 366 it complexity 210 evolution to 187 and a random seed to 94 I know this was fast but normally you already got a kukri glitch after this you can put the background on track number 1 in a green screen shot on track number 2 and go to the opacity properties in the effects control panel you want to click on the pen tool which you can use to create a mask roughly create a mask around your actor to remove your surroundings after you have done this look for the ultra key effect in the effects panel drag that to your green screen clip and with the color picker you can then select the green to remove it now you have your actor standing in your scene simple as that nest everything together and add a simple zoom in to add some movements you can do this by animating the scale from 100 to 105 sadly you can dead Amash and Premiere Pro so we have to use a different software named data marsh studio this is a free software which you can use for data moshing and you can download it through the link in the description below before we can start with the moshing we have to have two clips to wash it all together and create a transition that's why we have to render out or two clips 

                    XML LINK HERE

 we just made this has to be done one by one now you're probably thinking why the green-screen end well we'll come back to that later after you have two Clips you can start up the data March to do until ask you to open a project or create one just simply create a new one and create a new folder for it I'm going to do this on my desktop so we can easily find it back later when this is done adjust the width and the height to 1920 by 1080 and click Save on the top right you can then import your two videos you want to March this has to be done one by one when locating your footage it can be that you don't see your footage in your folder 

I had the same issue but that can be fixed easily adjust the format on the right bottom corner to do one from your footage now you will see all your clips select the one you want and click import double click on your clip that has to come first you can then insert it in the timeline through the panel in the right bottom quarter set the starting and end frame and press insert do the same for your second clip but check delete iframe check box from now on of course you can add as many clip as you want just don't forget to delete the iframes after you have done this set the beginning of the iframe box above the timeline to your begin clip now you can hit the export tab on the left bottom corner and press export effort it's done exporting you can hit the play button under export tab and check out what you have created fine-tune if necessary if not the program already renders it in the folder your special created for this 

let's get back into Premiere Pro and import your data Marsh clip create a new sequence with the data Marsh video on the first break now you have a data Marsh effect for everything glitches but we want to cut out Lorenzo so that he stops glitching earlier that is where the green screen shot comes in place the green screen shot on top of the data Marsh clip sync them both and trim the green screen shot to where you want it to start go into your effects control panel and to the opacity properties enable the animation for the opacity a let's start at zero go a few frames further in time and change it to a hundred another thing you can do is let the data merge background fade back to the regular background just place your background on the same track as a data Maj make a cut in the data merge background where you wanted to end and place a regular background against it and the cross dissolve if necessary whoo I hope you all got that because it will give a very cool transition effect if done right [Music] very cool indeed but now let's dive straight into the second effect which is going to be these moving overlays you can see right here in the sake of mode music clip you can do this effect on every shot you want but we are going to use our background and green-screen shot again to make it ourselves easier back in Premiere Pro you want to place your background on track number one on top of that we're going to place a star clip which we got from story blogs once you have placed your star clip on the second track create a small rectangle mask from the top to the bottom starting from the left side in the opacity property you can set its feather to zero and go to the timeline and make a cut after three frames in the clip after that cut you need to adjust your mask so that the left side is aligned with the right side of the mask of the previous clip do this until you reach the middle of your shop you can always make your shot smaller towards to end so it will end right in the middle then

 we are going to add a second star clip above the first start but what you now want to do is make all the cuts first and then one by one copy the opacity properties from the track below to the new star clip after you have done this you will offset the entire track 3 frames so that it starts when the first star clip is already one step further do this process another 6 to 7 times so that you can see a cool animation of moving masks I know it's a tedious job but it will give a very cool effect once you are done with this you can nest it all together and now you have one clip with the mask animations the next thing to do is duplicating your nested sequence as many times as you want position them on the timeline on the point where your previous animations of the mask opens up on the left side when doing this you'll create an endless loop of moving masks now again nest everything together make a duplicate of this nested sequence and in the effects panel search for flip horizontal add this to the top NASA sequence and now you have moving masks on both sides the only thing you now have to do is go to the effects control panel and in the opacity properties set the blending mode to screen you can also adjust the opacity to around 40% and before we forget add your green-screen shell to the top wallah there you have it a crew moving mask background 

okay guys I know it's a lot of information but hold on just a little longer because the next effect will be a short and easy one but with a super awesome result we're going to recreate this 2d 3d effect from the music clip the most important thing of the effect is a camera movement they do this will determine the outcome of the effects we're filming on the wide-angle lens so you can go really close to your subject when doing this you will create a bigger parallax effect without moving your camera too much let your subject stand still except for one element like his hands or even its eyebrow then while filming do small movement to one side this can be up or down or to the sides easy as that fire up  again and now import your footage into a new sequence then look for the wanted starting position and make it cut there go a few frames further and time and again make it cut where your movement ends delete everything else when you only have your short clip of your movement duplicate this on the same track right next to the original right click on the duplicate and look for speed and duration check the reverse speed checkbox and that's it you can now nest these two together and duplicate them as much as you want to create a longer effect just like this [] and that was it for today guys I know it was much but I hope you enjoyed it and learned everything you wanted to learn Thank You  

                PRESET LINK HERE