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Hy that's going on youtube jake here with venturevisuals and today i couldn't be more stoked to be showing you guys these three easy transitions to recreate in  Alight Motion  

so i use each of these transitions i'm about to show you guys in a variety of projects like music videos creative edits weddings commercials you name it these transitions are very practical transitions and look good with most projects 

so if you're excited to learn about these transitions hit that like button down below and let's get right into the video so this first transition i'm going to show you guys is just a simple wipe transition here in Alight Motion  as you can see here it's a pretty simple transition so on my timeline here you can see this first clip is him wrapping in the bedroom and then the second clip is kind of him standing in the doorway so the first thing you got to do is come up to your top clip and go ahead and hit the p button on your keyboard just keyframe the position right where it is so this clip is perfectly aligned with this composition now we're going to come all the way to the end of this clip where we want the transition to end 

we're just going to go ahead and move this clip to the right and you do want to make sure that this first clip is lined up pretty close with the edge of the composition just like that so now we have two keyframes we have it right where it belongs and then we have it wiping to the right the next thing i like to do is just turn on motion blur for both layers motion blur just adds blurriness to whatever it is that you're moving around the frame it just makes all the motion look a little more natural so the next step is just come to your second keyframe here where this second clip is totally revealed and 

    we're just going to take this parent pick whip tool and connect it to our top clip now this is going to go ahead and move the second clip with the first clip so you see that happening now we have the first clip moving but as it's moving the second clip is also moving into the frame it's not just moving out of the way and revealing the second clip both of these layers are moving together now to add some extra sauce to this i'm going to right click this first keyframe come down to keyframe assistant and hit easy ease out and i'm going to do the same thing for the second one except i'm going to hit easy ease in and now we should get a really dope wipe transition now you can play around with these keyframes and shorten them up or make them longer depending on how long you want your transition to happen so technically we could make a really short transition like this you know very quick or we could elongate it and make it you know a little longer a little bit more time consuming so there's a slower wipe right there it's a pretty customizable easy transition to make

 let's jump into the second transition so the second transition is a mask transition and what a mask transition is is basically you're taking a clip and something is moving across the screen whether that be a light pole a building structure a tree could be anything but you have something that's moving across the frame so for this example you can see here i have this first clip on top that is my two buddies drinking some beers and as we go over to the right we see this light pole that starts to creep in to the frame over here on the left so as that light pull creeps in from the left it reveals the next clip underneath so as you can see it's a combination of camera movement and having something slide across your screen and also creating this mask right here to get this transition effect

 now we're just going to recreate this from scratch 

so i'm going to go ahead and reset everything quickly here okay so as you can see our top clip is lying above our bottom clip we want to scroll over to where the object starts to move across the frame so as you can see this light pole is really moving across the frame right at this moment so with that clip selected we're just going to go ahead and hit this rectangle tool now you can also use the pen tool to make a mask but for this example we're just going to use this rectangle tool and we're just going to make this rectangle across the entire frame just like that so that's gonna be our first mask point so now with our mask one selected underneath our layer 

we're gonna go ahead and hit a keyframe under the mask point like that and 

                   XML LINK HERE

now we're just gonna scroll to the very end where the light pole is basically out of the frame we're going to come up here to our selection tool we're going to move these points that we've created for this mask on the left we're going to move them all the way to time up with the lamp so you can see now we have the mask moving with the lamp across the screen now it's not perfect and i can see here it's definitely not connected to the pole as good as it could be so what i normally like to do is spend some time on this masking process where i'm just going to all these ind

In today's video, I'm going to show you how to create a rapid photo shuffle effect. So that way you can start using it in your own videos. And today's video is sponsored by Envato Elements. I'll tell you more about them later on.

 For now, let's go ahead and jump on in. So here inside of Alight Motion , I have this folder full of all the photos I want to use. I'm going to open this up by double clicking and I have it set to the icon because that way you can easily see all of the photos. And the reason why I like this is that I can go ahead and move some photos around to rearrange it in the order that I want. And now we need to change the duration of the photo so that way it doesn't default to like 3 seconds each. Select all of them by pressing command or control. A control click and then go down to speed in duration. And instead of 3 seconds since this timeline is 24 frames per second, I'm going to have each photo be a court order of 24 frames per second, which is zero eight press okay. And now if we drag all of these clips into our timeline, 

so it goes really fast here. Now, it may not be fast enough. You can certainly change it to zero four to make it even faster. But I like zero eight. And the next thing you need to do is just go through quickly on each photo and make sure it's at the right scale. So you'll select the photo, go up to effect controls, scale it down, and make sure that the image is fully in view. So now when we play it back, it's rapidly going through the photos, but we need to make it more dynamic. 

This is where we're going to go into effects. But first, my name is Kelsey and welcome back to Premier Golf. This video is helping you out so far. Sure. To give it a thumbs up as well as subscribe. And if you're looking for some fast photo effects where you don't need to actually go in and animate yourself but use templates, you can use my link below to get seven days free of unlimited templates from import two elements. I just search for fast photo shuffle underneath video templates and over 3000 templates came up. For example, this fast photo slideshow for after effects is really cool because it has a really rapid zoom out effect similar to what we were doing in this video. But if you need a specific software, you can get on here and you can search for after effects Alight Motion  Apple Motion Final Cut Pro or DaVinci. If we wanted something for Premiere, for example, we can select that and just go through and see these different types of photo effects that they have here.

 Now we've put a link below to my favorite photo slideshow templates from import elements, so you can go check that out as well. And of course, you can find more than just photo slideshow templates. If you go to video templates in general, you can see that you can browse by broadcast packages, elements, infographics, logos, things they have titles and lower thirds. There's also tons of royalty free background music and sound effects as well, which is super useful, especially when you're editing videos where you just need to go in and find a sound effect to test out. There's unlimited downloads with elements so you can test out as much as you want. And after your seven days free, if you would like to subscribe to elements, you can use my link below to get 70% off your first month. All right, thanks so much to Elements for sponsoring today's video. And let's jump back into the video to go to the effects panel and search for transform. And this is underneath the distort folder double click on Transform. So it's applied to the first photo. So using the transform effect here, I'm going to animate the scale so it starts bigger and gets smaller. So let's start the scale at 150. 

             MATERIALS HERE

Let's type in 150 here next to scale. And then what we need to do is adjust the anchor point so we can click on this vertical anchor point and move it down. So that way it's better in frame and then we can click on toggle animation. And then at the very end of this photo, we can then bring it back down to 100 and you'll notice there's a little black line at the bottom. We just need to adjust the anchor point slightly down so that disappears and control. Click on the last keyframe and choose is end. So that way it's a bit more smooth of an animation. So what we can do now is copy this clip command C and then lasso and select all of the other clips and right click or control click and select paste attributes. 

And this time we're just going to paste the transform effects. 

So the transform effect has now been pasted on all the other photos, and you're going to see that a few of the photos we need to make adjustments on because the transform effect isn't going to fit all the photos because they're all different sizes and image resolutions. Do you see here on this photo we need to make adjustments, so let's select it, go up to effect controls here and we can adjust the anchor point. So it's a little bit lower. Somebody's going to go through quickly and fix the anchor 

                     XML LINK HERE

Introduction:

Everyone wants good-looking visually pleasing videos and one of the first steps to achieve this is by color correcting, your video now in orbital color corrector video you have to understand the color workspace, in Alight Motion and if you're ready for that next step and maybe this is your first time here hi and my name is Lila so lovely to meet you and on this channel I share my best filmmaking tips, and tricks video editing tutorials and basically everything you need to know in order to start creating better videos all of the links are in the description.

Color Correction:

so make sure that you check that out including my color correction vs. color grading video because it is of vital importance and when I say phyto importance I mean vital importance to understand a difference between color correction and color grading if you're ready let's open up the color workspace on the left you see some intimidating complicated graphs but trust me they are not really that complicated and on the right you see different tabs such as basic correction.

 first as you can see this circle is this beautiful gradient of all the colors on the spectrum and then there is this white mass or blob or thing I am not sure what it's called to be honest this white mass or a white blob represents the amount of color in the video as well as what colors are in the video if I up the saturation and make the video more colorful make the colors.

Effects:

 what happens to the waveform as I adjust the exposure of the contrast and all the others I think exposure and contrast speak for themselves now these four the highlights the shadows and whites and the black they all work together and they affect each other so for example if we change the whites it will also affect the highlights too but only in the waveform the slider won't be affected 100 represents the whites and right here is the highlights the shadows and the blacks in case you have a lot of clipping going on you can raise the blacks a little or you can lower the whites a little bit but as you can see if I've raised the blacks it removes the blacks from the video 

Frame:

so I am going to keep it at zero in this case instead I'm going to adjust the shadows a little bit and remove a little bit of the contrast we know that the waveform represents the exposure and all the tone settings of the frame so see what happens if I play through the clip as you can see right here this is gizmos face so it literally represents the frame of your video if at any point you're just like oh my god I just need to start over it it looks like a mess I was too ambitious I was too enthusiastic with it don't worry you don't need to double click on every slider what you can do is just click on the reset button right here and you will reset all of the tone settings now this is the fun part if you go up here to this check mark and you uncheck this box see what happens  

this is where we started I mean I love this so much I could literally check and uncheck the box all day this is so so freakin satisfying, if you liked this video please let me know in the comments and make sure to subscribe and hit that notification bow, in case you want to be notified when more videos come out and if you can't wait for the next video which is totally fine and understandable, because you just want your videos to be so much better click on this video 

hey guys Rc here for alight basics a weekly series where i teach you all the ins and outs of adobe premiere pro and today i'm not doing it alone we have a feature today with no one other than storisium now today we are going to teach you eight different transitions that are so simple that you don't even need presets for them so without any further ado let's get started and fire up adobe alight now let's start with a visual transition that depends on your shots when transitioning from one shot to another look for a second shot with visual elements like rocks trees or other objects now place the two shots behind each other then duplicate the second clip and freeze frame the first frame now place that above the end of the first video track then we're going to take our time and properly mask around an object now this can also be a rock a billboard a person whatever if there are multiple objects on screen you can duplicate the layer and mask these objects as well okay once you've masked your object nest the layer and go to the effect panel take the transform effect and drag it onto your nested layer then go to the effect controls panel and deselect the composition shutter checkbox set a custom one of 180. then animate the object so that it pops on screen you can do this by placing keyframes for the position property now don't forget to ease your keyframes once you've made this animation now you can make this longer by dragging the layer more over the first video of course and if you have multiple objects try and play around with different speeds and different directions and as a finishing touch you can always right click on the cut between the two video clips and add a cross dissolve but make it quite short this will give you this result hey jill thanks for having me on your channel it's awesome to be here the next transition is one of my personal favorites and i like to call it the glow transition it's a little similar to the dip to white effect that is built into premiere but also a little different anyway you'll see inside premiere we're going to use these two clips on the timeline for the demo i'm going to start by adding an adjustment layer you can do this in the project panel click on the new icon and then select adjustment layer you can accept the default settings and click ok we can now drag the adjustment layer over to the timeline and place them on top of the two clips of course you can choose any duration for the transition but in this case i'll go for two seconds and i also want the adjustment layer part on the second clip to be a little longer than the part on the first clip    

completion and then we need to create two more keyframes with the value 100 and then put these two at the beginning and the end and also here we're going to make it a bit more smoother by right clicking on the first keyframe and then select ease out and then right click on the middle keyframes and select bezier and for the last keyframe we'll select ease in and if i now open up the graph you can see that there's a nice curve this will give more smoothness to the animation in some cases mainly depending on the footage the cut between the clips might still feel a bit rough but you can fix this by adding a simple cross dissolve effect between the two clips this will make it blend a lot better and that is all you need to know to create this awesome drawing transition let's have a look at the final result [] wow that was awesome now guys if you want to see our next four transitions then head over to sterezium's account the video is also linked in our credit scene so go ahead and look at those other transitions if you want to master all of them i'll see you guys next week for a new live stream and a new tutorial and as always stay creative

                       PRESET LINK HERE

    Hello video creators welcome to Rc Edits today we're going to Simple Badass Transition making shapes with the track matte key effect to create the following transitions 

Were just few examples of what you can do with this technique once you understand how this works you'll see that the possibilities are endless and now after this energetic intro i'll slow it down and show you step by step how it's done inside premiere pro right after the message of our sponsor squarespace if you want to build your own website or web store then definitely check out squarespace i've used them for more than two years now and i can confirm that it's easy to start with their award-winning templates even if you don't have any experience with web design and their templates are built in such a way that will look great on any device like your pc tablet or smartphone use the link tourism to get the free trial or 10 discount on your first purchase the links can be found in the video description 

Add Video Clips:

Now i'm going to show you how to make this transition in adobe premiere pro inside premiere, i've already got these two clips on the timeline that will come to use for the demo we're going to start by moving the second video to the second track of the timeline and let it overlap for a few seconds with the first video here you can see the duration, of the overlap which will also be the duration for the transition 

    next we're going to switch to the eraser tool by hitting the c key and then cut the second video at the end of the first video and after that we can switch back to the selection tool by hitting the v key and then i'll move the left over of the second video back to the first track because this is the part that we're going to use for the transition.

Add Shapes:

 now it's time to add a shape to the video and in this case we're going to add a circle and we're going to do this with the ellipse tool that you can find here, which is often hidden under the pen tool we can now simply left-click somewhere in the program monitor and then draw a circle and by holding this shift key you can make a perfect circle instead of making an oval shape for the transition we'll need a circle that is about this big now we need to switch back to the selection tool by hitting the v key or click this icon here 

 next i'm going to shorten the duration of the graphic layer so it will match with the transition in the next steps we'll come to animate the circle make sure you've got the graphic layer, selected and head over to the effects control panel in here i'm going to open up the shape layer and then enable keyframes for position and skill by clicking on the stopwatch icon and then 

    i'm going to zoom out in the program monitor because we need to work outside of the frame now we're going to start the animation here in the right bottom corner.

Keyframes:

So i'm going to play around with position values until the circle is just out of the frame it might be a little hard to see but the position of the circle is here where the red box is and that's our starting position as well so we're going to move these two keyframes, to the beginning and for the next set of keyframes 

  we're going to move the circle back into the frame and then we're going to scale it up so it will fill up the entire frame and with these two sets of keyframes, we've created this animation and to make the animation a bit more smoother.   

   we're going to right click on the last set of keyframes and then select ease in and for the first set of keyframes, we'll select ease out and finally i will also move the last set of keyframes, to the end of the transition and this is what we've got so far next we're going to use this white shape to reveal the second video and to do this we need to add the track matte key effect in the effects panel ation by right clicking on the first keyframe and then select ease out and for the last keyframe we're going to select ease in and for the middle keyframes, we're going to select bezier and this is what we've got so far and to finish it off we can also enable the stroke for the rectangle and also here i'm using a gray color and i will also increase the width of the stroke and because, we've already selected the luma option you can see the results right away and that's it for this one let's have a look at the final results okay i've got one more example for you so let's go for this transition.

Second Keyframes:

we're going to add two rectangles, with the rectangle tool i'm going to add the first one on the top half of the frame and the second one on the bottom half and then i'll move back to the timeline and cut the tracks with the razor tool and remove, the parts that we don't need with the selection tool select the graphics layer move over to the effects control panel and then enable keyframes, for position for the first shape then i'm going to move this keyframe with the final position to the end of the transition and then we'll reposition the rectangle all the way to the left outside of the frame and then move this keyframe.

Finally:

 The beginning of the transition now we're going to do the same steps with the keyframes, for the next shape but in this case we'll move it to the opposite direction and also move the first keyframe, to the beginning of the transition and finally we'll also add ease in and ease out keyframes to make the animation more smoother and that's it for this example let's have a look at the final results and that also concludes this premiere pro tutorial i hope you enjoyed this one and if you did you might also want to check out this video anyway as always thanks a lot for watching, and i hope you have a wonderful day