rc edits official

Introduction

      let's face it if you are films to stand out then they need the sort of style and transitions, that catches people's attention in this video you're going to get my top ten Alight Motion transitions, that include Pam tilt zoom chromatic aberration and shake transitions.

 my goal is to help you set not only your editing apart but the look of your films,also so if you want to follow along on that journey you have to see our color grading, crash course for Alight Motion or our cinema grade plugin for Alight Motion.

Color Grading

 That gets you direct on-screen color grading x-ray, Auto match support easy shot matching real-time previews of Luntz and you can even get the same look of your favorite film I'll have a link for those in the description.

Preset Pack

Alright let's get to the transitions first you need to download the presets so go ahead and click on the link in the description, so once the project is downloaded you can open a project you're currently working.

Transition

Alight Motion transitions can even help you create the illusion of a continuous shot and they can even trick our mind into thinking it's an actual camera movement thanks to the motion blur now it's really cool about all of these transitions.

Zoom Transition

transitions the zoom is always centered but you can zoom in any direction for a better result for example here on the zoom out the first shot has the models face at the center but in the second shot it's a little towards the top and to the left making the transition. 

Conclusion

set your films apart for more videos like this click the subscribe button and then the bell to be notified of our next one I'll see you in the next video let's make the grade 

 TOP 3 Cc Presets Pack

                         Top 3 Cc Presets 

hey guys jill here for premiere basics a weekly series where we teach you all the ins and outs of adobe premiere pro, last week adobe released a brand new feature that lets you color grade your footage with just one click of a button currently, it is only available within the beta version of premiere pro 

  so first let's open up the adobe creative cloud app and move to the beta apps menu then download the beta version of premiere after it's installed open up the beta app and you'll notice that the import menu is already different,  but that's something that we've talked about in a previous video which you can see by clicking the link in the top right corner now 

   i'm going to import some, footage which will be some log footage that we've shot and some stock clips from story blocks that already have a decent color grade we're now going to color grade these clips to get some nice looking colors to start color grading move to the window menu and select the lumetri color panel if you have never color graded before let me give you a quick introduction within the lumetri panel, we have multiple tabs the first one is the basic correction tab from here we can make as the name indicates basic adjustments to our contrast and exposure but also the temperature of your shot.

  next is the creative tab from here you can add luts which you can technically, also do in the basic correction tab but if you apply it here you can still adjust stuff later on in the basic corrections, in the creative tab you can also add sharpness vibrance and saturation next up is the curved step from here you can use the curves to control exposure and colors but in a more advanced way you can also play around with the hue saturation, and luma controls to control specific colors on your shot next is the color wheels and match tab and here you can add specific colors to either the shadows mid-tones or highlights, next is the hsl secondary tab which you can use to make selections of specific colors which is an ideal way to create better skin tones for example and lastly we have the vignette tab which is basically, to create a vignette obviously but you have clicked on this video to see the brand new one-click color grade feature in premiere so let's now wait any longer. 

 when you go back to the basic correction, step you will see a new button which says auto tone now if you click this premiere will apply intelligent auto corrections to your footage and this is all done with the sliders of the basic correction step which means that afterwards you can still have full control over it and change anything if needed so why is this so useful well for beginner video editors this is a fast and easy way to apply a quick and nice looking color grade to your footage as a start you can then use for example the color wheels.

 and results actually look pretty damn great so i can't wait for adobe to release it officially for everyone to use it i hope you enjoyed this video and learned something new and if so make sure to hit the like button turn on post notifications and of course subscribe to the channel and feel free to share this video with your friends or on your socials i'll see you again next week with a new tutorial and as always stay creative.

            Zoom + Shake Transition Pack  

I guys stand over them here so I was watching this film this week star was a new hope brilliant film, and I notice through a lot of white transitions in there.

   so I thought coming up to Google and find out how many of those transitions are,  actually our innate because there were quite a lot left to write down circular ones etc did the ground under sir I don't know I don't know why they use so many but one of the questions that I would did they write them themselves or did they download them were they just a library transition.

it just a new editor you know what what was the cause of it was the thinking behind it anyway it turns out that there were 31 white transitions, in Star Wars a new hope and that that sort of gave me the idea that basically should do a short video on how to create your own white transition so with that let's get this started [Music] welcome back guys so transitions yes what we're going to be doing will give a doing,

 it as zoom transition specifically, a smooth zoom transition that is where your primary voltage zooms in and the second footage zooms in behind it and it's done in a specific way through premiere but you have to do it yourself it's not downloaded it isn't a library transition, it's one you're going to create yourself through peaks of this video obviously by the way I'm just a disclaimer I didn't invent this transition I've got made it up wish I had and I'm also not the first person to a pop video on YouTube about how to make a transition. 

we're going to do that now so let's dive into premiere and let's get started we just need to get our clips you can see the timeline still go to the project bin just grab three random clips, drag these across onto the timeline now okay I don't need these sound on these so just remember these clips to get rid of sound boom done okay so got three clips in the timeline no sound they're all playing they're just straight course between each clip next step for us would be we're going to go down to our project bin and we're going to click on new item and then it just moon where you'll leave the settings are same and then.

 we're gonna click on adjustment layer again you had to adjustment layer two adjustment layers in our project bin okay so crop only adjustment layers, and drag that onto V 2 at the beginning of the clip for clip two and then grab the second adjustment layer and stack that over the top what we do is just extend the hell a little bit second adjustment layer and that's just so they overlapped clip 1 and clip 2 and I've become apparent later it's needed for the transition so our next step would be to go to the effects panel and click on our first adjustment layer then up on the effects panel here we're gonna type in replicate I'm gonna drag that and drop that onto our first adjustment layer.

 I head over there and you can see that there are now four versions of our video playing at the same time now that's not gonna be quite enough, so what I need to do is go to the effects control panel which is here and we're gonna change the count of the replicate to three which gives us nine three roses right okay so what next gonna do is close time and we're going to go to the effects panel or insight mirror and exactly mirror onto the first adjustment laughs first seven layers and we're going to go to the flexion angle, I'm gonna put a value of 19 into that then gonna go to reflection Center which is just the line above it and we're gonna go to do the right hand figure and we're gonna alter that so that the lines don't appear anymore so you can see you've got a line just drag that okay grab never again they're down so that two mirrors now this is a second one what is that one I'm gonna give that value of minus 90 they use the same right.

 I'm figure again and you've gotta count to the lines and then when you're okay next you're gonna fight, me right again this is a third time you've done this and you give that value of YT maybe use the left hand thicker and it's like it back onto the screen so we see Lions there they are now make a one-line left which is so the fourth and final time they live straggler on to our from that and you give it a value of 360 and then we look that SAP and black on and so the line needs to disappear, okay so what's it done from there now without me to do that more the next step you need to do it's coming to you the effects power yeah and when it's attacked in there.

 I'm store now when they've got transformed, ones we taught that this move back so that's the way in being three you've got a minute and now as providing place what you do is set our playhead at the beginning of the clip that we watch transforming into and transition, into you wouldn't go back sort of between six and ten frames into clip what I like to do it think frames just it depends on how quickly loss though you wanted to go so go back eight frames so one two three four five six seven eight so a backache frames now they're due using the scale icon in transform.

so click start watching their legal value at home good that's putting a keyframe, and then reset our timeline to the beginning into that second clip I go eight frames into the second click on okay once we get there they do is we're going to keep that scale at a value of three hundred we've got another keyframe, in and bring the sense of scale back up so I'll quit fully visible and there we go so now basically what we've got is we've got our clip moving from three sets of three such as one clip when I finish yet we'll go down chose angle here in your transform.

 I want to give that a value of 360 now that will give us some but motion blur if I just flip back there you go you can see it's giving us a little bit of motion blur, to it so what I'll do now is I will just render that out quickly and that will show you exactly what your transformation, has done you create your own transition and I'll show you how you smooth the zooms anymore just our auto playing here we go and then.

we have it a smoothing, stick well that's it guys transition all made so we've done that you've got the two tongue you got a two adjustment layers there you know what you do with it all you can obviously refer back to this video if you need to however you can copy and paste that across from one project to another or you can save it in a project file and then import your projects and afterwards, you say that the template etc etc etc and it's just they're fierce cubes you can tweak it as much as you like you can change it however you like it just make it see fit make it longer make it shorter faster make it smoother.

it's just my take on it what I'm gonna do is buy a video at the end of this video just a short clip at the end of this video just so you can see what it would look like with a bit music on and now though the transition, plays out amongst a little bit more bit longer footage because we always use unused three Clips on the tutorial and I'll use a few more Clips so that you can see how it plays out over a longer period  if this video is useful nitiram you liked it please do like and subscribe below and I will see you next week with more tutorials or interesting blogsblogs

                   Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

                Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

            Zoom + Shake Transition Pack  

I guys stand over them here so I was watching this film this week star was a new hope brilliant film, and I notice through a lot of white transitions in there.

   so I thought coming up to Google and find out how many of those transitions are,  actually our innate because there were quite a lot left to write down circular ones etc did the ground under sir I don't know I don't know why they use so many but one of the questions that I would did they write them themselves or did they download them were they just a library transition.

it just a new editor you know what what was the cause of it was the thinking behind it anyway it turns out that there were 31 white transitions, in Star Wars a new hope and that that sort of gave me the idea that basically should do a short video on how to create your own white transition so with that let's get this started [Music] welcome back guys so transitions yes what we're going to be doing will give a doing,

 it as zoom transition specifically, a smooth zoom transition that is where your primary voltage zooms in and the second footage zooms in behind it and it's done in a specific way through premiere but you have to do it yourself it's not downloaded it isn't a library transition, it's one you're going to create yourself through peaks of this video obviously by the way I'm just a disclaimer I didn't invent this transition I've got made it up wish I had and I'm also not the first person to a pop video on YouTube about how to make a transition. 

we're going to do that now so let's dive into premiere and let's get started we just need to get our clips you can see the timeline still go to the project bin just grab three random clips, drag these across onto the timeline now okay I don't need these sound on these so just remember these clips to get rid of sound boom done okay so got three clips in the timeline no sound they're all playing they're just straight course between each clip next step for us would be we're going to go down to our project bin and we're going to click on new item and then it just moon where you'll leave the settings are same and then.

 we're gonna click on adjustment layer again you had to adjustment layer two adjustment layers in our project bin okay so crop only adjustment layers, and drag that onto V 2 at the beginning of the clip for clip two and then grab the second adjustment layer and stack that over the top what we do is just extend the hell a little bit second adjustment layer and that's just so they overlapped clip 1 and clip 2 and I've become apparent later it's needed for the transition so our next step would be to go to the effects panel and click on our first adjustment layer then up on the effects panel here we're gonna type in replicate I'm gonna drag that and drop that onto our first adjustment layer.

 I head over there and you can see that there are now four versions of our video playing at the same time now that's not gonna be quite enough, so what I need to do is go to the effects control panel which is here and we're gonna change the count of the replicate to three which gives us nine three roses right okay so what next gonna do is close time and we're going to go to the effects panel or insight mirror and exactly mirror onto the first adjustment laughs first seven layers and we're going to go to the flexion angle, I'm gonna put a value of 19 into that then gonna go to reflection Center which is just the line above it and we're gonna go to do the right hand figure and we're gonna alter that so that the lines don't appear anymore so you can see you've got a line just drag that okay grab never again they're down so that two mirrors now this is a second one what is that one I'm gonna give that value of minus 90 they use the same right.

 I'm figure again and you've gotta count to the lines and then when you're okay next you're gonna fight, me right again this is a third time you've done this and you give that value of YT maybe use the left hand thicker and it's like it back onto the screen so we see Lions there they are now make a one-line left which is so the fourth and final time they live straggler on to our from that and you give it a value of 360 and then we look that SAP and black on and so the line needs to disappear, okay so what's it done from there now without me to do that more the next step you need to do it's coming to you the effects power yeah and when it's attacked in there.

 I'm store now when they've got transformed, ones we taught that this move back so that's the way in being three you've got a minute and now as providing place what you do is set our playhead at the beginning of the clip that we watch transforming into and transition, into you wouldn't go back sort of between six and ten frames into clip what I like to do it think frames just it depends on how quickly loss though you wanted to go so go back eight frames so one two three four five six seven eight so a backache frames now they're due using the scale icon in transform.

so click start watching their legal value at home good that's putting a keyframe, and then reset our timeline to the beginning into that second clip I go eight frames into the second click on okay once we get there they do is we're going to keep that scale at a value of three hundred we've got another keyframe, in and bring the sense of scale back up so I'll quit fully visible and there we go so now basically what we've got is we've got our clip moving from three sets of three such as one clip when I finish yet we'll go down chose angle here in your transform.

 I want to give that a value of 360 now that will give us some but motion blur if I just flip back there you go you can see it's giving us a little bit of motion blur, to it so what I'll do now is I will just render that out quickly and that will show you exactly what your transformation, has done you create your own transition and I'll show you how you smooth the zooms anymore just our auto playing here we go and then.

we have it a smoothing, stick well that's it guys transition all made so we've done that you've got the two tongue you got a two adjustment layers there you know what you do with it all you can obviously refer back to this video if you need to however you can copy and paste that across from one project to another or you can save it in a project file and then import your projects and afterwards, you say that the template etc etc etc and it's just they're fierce cubes you can tweak it as much as you like you can change it however you like it just make it see fit make it longer make it shorter faster make it smoother.

it's just my take on it what I'm gonna do is buy a video at the end of this video just a short clip at the end of this video just so you can see what it would look like with a bit music on and now though the transition, plays out amongst a little bit more bit longer footage because we always use unused three Clips on the tutorial and I'll use a few more Clips so that you can see how it plays out over a longer period  if this video is useful nitiram you liked it please do like and subscribe below and I will see you next week with more tutorials or interesting blogsblogs