rc edits official

 TOP 3 Cc Presets Pack

                         Top 3 Cc Presets 

hey guys jill here for premiere basics a weekly series where we teach you all the ins and outs of adobe premiere pro, last week adobe released a brand new feature that lets you color grade your footage with just one click of a button currently, it is only available within the beta version of premiere pro 

  so first let's open up the adobe creative cloud app and move to the beta apps menu then download the beta version of premiere after it's installed open up the beta app and you'll notice that the import menu is already different,  but that's something that we've talked about in a previous video which you can see by clicking the link in the top right corner now 

   i'm going to import some, footage which will be some log footage that we've shot and some stock clips from story blocks that already have a decent color grade we're now going to color grade these clips to get some nice looking colors to start color grading move to the window menu and select the lumetri color panel if you have never color graded before let me give you a quick introduction within the lumetri panel, we have multiple tabs the first one is the basic correction tab from here we can make as the name indicates basic adjustments to our contrast and exposure but also the temperature of your shot.

  next is the creative tab from here you can add luts which you can technically, also do in the basic correction tab but if you apply it here you can still adjust stuff later on in the basic corrections, in the creative tab you can also add sharpness vibrance and saturation next up is the curved step from here you can use the curves to control exposure and colors but in a more advanced way you can also play around with the hue saturation, and luma controls to control specific colors on your shot next is the color wheels and match tab and here you can add specific colors to either the shadows mid-tones or highlights, next is the hsl secondary tab which you can use to make selections of specific colors which is an ideal way to create better skin tones for example and lastly we have the vignette tab which is basically, to create a vignette obviously but you have clicked on this video to see the brand new one-click color grade feature in premiere so let's now wait any longer. 

 when you go back to the basic correction, step you will see a new button which says auto tone now if you click this premiere will apply intelligent auto corrections to your footage and this is all done with the sliders of the basic correction step which means that afterwards you can still have full control over it and change anything if needed so why is this so useful well for beginner video editors this is a fast and easy way to apply a quick and nice looking color grade to your footage as a start you can then use for example the color wheels.

 and results actually look pretty damn great so i can't wait for adobe to release it officially for everyone to use it i hope you enjoyed this video and learned something new and if so make sure to hit the like button turn on post notifications and of course subscribe to the channel and feel free to share this video with your friends or on your socials i'll see you again next week with a new tutorial and as always stay creative.

            Zoom + Shake Transition Pack  

I guys stand over them here so I was watching this film this week star was a new hope brilliant film, and I notice through a lot of white transitions in there.

   so I thought coming up to Google and find out how many of those transitions are,  actually our innate because there were quite a lot left to write down circular ones etc did the ground under sir I don't know I don't know why they use so many but one of the questions that I would did they write them themselves or did they download them were they just a library transition.

it just a new editor you know what what was the cause of it was the thinking behind it anyway it turns out that there were 31 white transitions, in Star Wars a new hope and that that sort of gave me the idea that basically should do a short video on how to create your own white transition so with that let's get this started [Music] welcome back guys so transitions yes what we're going to be doing will give a doing,

 it as zoom transition specifically, a smooth zoom transition that is where your primary voltage zooms in and the second footage zooms in behind it and it's done in a specific way through premiere but you have to do it yourself it's not downloaded it isn't a library transition, it's one you're going to create yourself through peaks of this video obviously by the way I'm just a disclaimer I didn't invent this transition I've got made it up wish I had and I'm also not the first person to a pop video on YouTube about how to make a transition. 

we're going to do that now so let's dive into premiere and let's get started we just need to get our clips you can see the timeline still go to the project bin just grab three random clips, drag these across onto the timeline now okay I don't need these sound on these so just remember these clips to get rid of sound boom done okay so got three clips in the timeline no sound they're all playing they're just straight course between each clip next step for us would be we're going to go down to our project bin and we're going to click on new item and then it just moon where you'll leave the settings are same and then.

 we're gonna click on adjustment layer again you had to adjustment layer two adjustment layers in our project bin okay so crop only adjustment layers, and drag that onto V 2 at the beginning of the clip for clip two and then grab the second adjustment layer and stack that over the top what we do is just extend the hell a little bit second adjustment layer and that's just so they overlapped clip 1 and clip 2 and I've become apparent later it's needed for the transition so our next step would be to go to the effects panel and click on our first adjustment layer then up on the effects panel here we're gonna type in replicate I'm gonna drag that and drop that onto our first adjustment layer.

 I head over there and you can see that there are now four versions of our video playing at the same time now that's not gonna be quite enough, so what I need to do is go to the effects control panel which is here and we're gonna change the count of the replicate to three which gives us nine three roses right okay so what next gonna do is close time and we're going to go to the effects panel or insight mirror and exactly mirror onto the first adjustment laughs first seven layers and we're going to go to the flexion angle, I'm gonna put a value of 19 into that then gonna go to reflection Center which is just the line above it and we're gonna go to do the right hand figure and we're gonna alter that so that the lines don't appear anymore so you can see you've got a line just drag that okay grab never again they're down so that two mirrors now this is a second one what is that one I'm gonna give that value of minus 90 they use the same right.

 I'm figure again and you've gotta count to the lines and then when you're okay next you're gonna fight, me right again this is a third time you've done this and you give that value of YT maybe use the left hand thicker and it's like it back onto the screen so we see Lions there they are now make a one-line left which is so the fourth and final time they live straggler on to our from that and you give it a value of 360 and then we look that SAP and black on and so the line needs to disappear, okay so what's it done from there now without me to do that more the next step you need to do it's coming to you the effects power yeah and when it's attacked in there.

 I'm store now when they've got transformed, ones we taught that this move back so that's the way in being three you've got a minute and now as providing place what you do is set our playhead at the beginning of the clip that we watch transforming into and transition, into you wouldn't go back sort of between six and ten frames into clip what I like to do it think frames just it depends on how quickly loss though you wanted to go so go back eight frames so one two three four five six seven eight so a backache frames now they're due using the scale icon in transform.

so click start watching their legal value at home good that's putting a keyframe, and then reset our timeline to the beginning into that second clip I go eight frames into the second click on okay once we get there they do is we're going to keep that scale at a value of three hundred we've got another keyframe, in and bring the sense of scale back up so I'll quit fully visible and there we go so now basically what we've got is we've got our clip moving from three sets of three such as one clip when I finish yet we'll go down chose angle here in your transform.

 I want to give that a value of 360 now that will give us some but motion blur if I just flip back there you go you can see it's giving us a little bit of motion blur, to it so what I'll do now is I will just render that out quickly and that will show you exactly what your transformation, has done you create your own transition and I'll show you how you smooth the zooms anymore just our auto playing here we go and then.

we have it a smoothing, stick well that's it guys transition all made so we've done that you've got the two tongue you got a two adjustment layers there you know what you do with it all you can obviously refer back to this video if you need to however you can copy and paste that across from one project to another or you can save it in a project file and then import your projects and afterwards, you say that the template etc etc etc and it's just they're fierce cubes you can tweak it as much as you like you can change it however you like it just make it see fit make it longer make it shorter faster make it smoother.

it's just my take on it what I'm gonna do is buy a video at the end of this video just a short clip at the end of this video just so you can see what it would look like with a bit music on and now though the transition, plays out amongst a little bit more bit longer footage because we always use unused three Clips on the tutorial and I'll use a few more Clips so that you can see how it plays out over a longer period  if this video is useful nitiram you liked it please do like and subscribe below and I will see you next week with more tutorials or interesting blogsblogs

                   Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

                Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

            Zoom + Shake Transition Pack  

I guys stand over them here so I was watching this film this week star was a new hope brilliant film, and I notice through a lot of white transitions in there.

   so I thought coming up to Google and find out how many of those transitions are,  actually our innate because there were quite a lot left to write down circular ones etc did the ground under sir I don't know I don't know why they use so many but one of the questions that I would did they write them themselves or did they download them were they just a library transition.

it just a new editor you know what what was the cause of it was the thinking behind it anyway it turns out that there were 31 white transitions, in Star Wars a new hope and that that sort of gave me the idea that basically should do a short video on how to create your own white transition so with that let's get this started [Music] welcome back guys so transitions yes what we're going to be doing will give a doing,

 it as zoom transition specifically, a smooth zoom transition that is where your primary voltage zooms in and the second footage zooms in behind it and it's done in a specific way through premiere but you have to do it yourself it's not downloaded it isn't a library transition, it's one you're going to create yourself through peaks of this video obviously by the way I'm just a disclaimer I didn't invent this transition I've got made it up wish I had and I'm also not the first person to a pop video on YouTube about how to make a transition. 

we're going to do that now so let's dive into premiere and let's get started we just need to get our clips you can see the timeline still go to the project bin just grab three random clips, drag these across onto the timeline now okay I don't need these sound on these so just remember these clips to get rid of sound boom done okay so got three clips in the timeline no sound they're all playing they're just straight course between each clip next step for us would be we're going to go down to our project bin and we're going to click on new item and then it just moon where you'll leave the settings are same and then.

 we're gonna click on adjustment layer again you had to adjustment layer two adjustment layers in our project bin okay so crop only adjustment layers, and drag that onto V 2 at the beginning of the clip for clip two and then grab the second adjustment layer and stack that over the top what we do is just extend the hell a little bit second adjustment layer and that's just so they overlapped clip 1 and clip 2 and I've become apparent later it's needed for the transition so our next step would be to go to the effects panel and click on our first adjustment layer then up on the effects panel here we're gonna type in replicate I'm gonna drag that and drop that onto our first adjustment layer.

 I head over there and you can see that there are now four versions of our video playing at the same time now that's not gonna be quite enough, so what I need to do is go to the effects control panel which is here and we're gonna change the count of the replicate to three which gives us nine three roses right okay so what next gonna do is close time and we're going to go to the effects panel or insight mirror and exactly mirror onto the first adjustment laughs first seven layers and we're going to go to the flexion angle, I'm gonna put a value of 19 into that then gonna go to reflection Center which is just the line above it and we're gonna go to do the right hand figure and we're gonna alter that so that the lines don't appear anymore so you can see you've got a line just drag that okay grab never again they're down so that two mirrors now this is a second one what is that one I'm gonna give that value of minus 90 they use the same right.

 I'm figure again and you've gotta count to the lines and then when you're okay next you're gonna fight, me right again this is a third time you've done this and you give that value of YT maybe use the left hand thicker and it's like it back onto the screen so we see Lions there they are now make a one-line left which is so the fourth and final time they live straggler on to our from that and you give it a value of 360 and then we look that SAP and black on and so the line needs to disappear, okay so what's it done from there now without me to do that more the next step you need to do it's coming to you the effects power yeah and when it's attacked in there.

 I'm store now when they've got transformed, ones we taught that this move back so that's the way in being three you've got a minute and now as providing place what you do is set our playhead at the beginning of the clip that we watch transforming into and transition, into you wouldn't go back sort of between six and ten frames into clip what I like to do it think frames just it depends on how quickly loss though you wanted to go so go back eight frames so one two three four five six seven eight so a backache frames now they're due using the scale icon in transform.

so click start watching their legal value at home good that's putting a keyframe, and then reset our timeline to the beginning into that second clip I go eight frames into the second click on okay once we get there they do is we're going to keep that scale at a value of three hundred we've got another keyframe, in and bring the sense of scale back up so I'll quit fully visible and there we go so now basically what we've got is we've got our clip moving from three sets of three such as one clip when I finish yet we'll go down chose angle here in your transform.

 I want to give that a value of 360 now that will give us some but motion blur if I just flip back there you go you can see it's giving us a little bit of motion blur, to it so what I'll do now is I will just render that out quickly and that will show you exactly what your transformation, has done you create your own transition and I'll show you how you smooth the zooms anymore just our auto playing here we go and then.

we have it a smoothing, stick well that's it guys transition all made so we've done that you've got the two tongue you got a two adjustment layers there you know what you do with it all you can obviously refer back to this video if you need to however you can copy and paste that across from one project to another or you can save it in a project file and then import your projects and afterwards, you say that the template etc etc etc and it's just they're fierce cubes you can tweak it as much as you like you can change it however you like it just make it see fit make it longer make it shorter faster make it smoother.

it's just my take on it what I'm gonna do is buy a video at the end of this video just a short clip at the end of this video just so you can see what it would look like with a bit music on and now though the transition, plays out amongst a little bit more bit longer footage because we always use unused three Clips on the tutorial and I'll use a few more Clips so that you can see how it plays out over a longer period  if this video is useful nitiram you liked it please do like and subscribe below and I will see you next week with more tutorials or interesting blogsblogs

 Trending zoom + Wave Transition Tutorial

So you want to add camera shake to your next video, I'm gonna show you how to do it right within Alight Motion in this new Alight Motion tutorial.

 I'm going to show you two different styles, of camera shake one is more of this earthquake sort of dramatic effect and the other is more of a handheld look, and I'm going to show you two ways to do that one so first with this more earthquake stylized effect this is created by an adjustment layer and the transform effect.

So I've got this basketball clip right here and if I drag this on to my timeline it's a pretty smooth shot nothing's really happening and I've added the camera shake,  whenever the basketball hits the ground so first things first I want to create an adjustment layer and add that to track two so click new item and choose adjustment layer select okay and then just put it on top of your video track.

now I'm gonna zoom in here and you want to zoom in and have the adjustment layer, start right when the ball is hitting the ground and then maybe go for another seven or eight frames half a second or so and then, I'm just going to trim the end of this adjustment layer now adjustment layers, apply whatever effect is applied to that layer to everything beneath it and the reason we use adjustment layers is so that we can easily duplicate this camera shake effect to any clip or throughout this same clip go to your effects bin and type in transform, it should be under your distort properties and place that on the adjustment layer and the effects controls bin will now edit this effect notice though one thing is that you can't apply this sort of movement and rotation effect.

 we're going to do just with the basic motion properties of an adjustment layer, see if I move this around or rescale it up or down nothing actually applies to this clip beneath it and that's because only effects that are applied to this adjustment layer, are applied to this basketball layer and that's what this transform effect is so if I move the position around see how I do this now this video clip is moved so the first thing I'm going to do is set a keyframe, for scale at the very beginning of this clip this is tellingAlight Motion that at this point we want the scale to be 100% and we create a keyframe by clicking this little time watch right here while you're at it go ahead and create a keyframe for rotation position, as well then up here in the effects controls go to the very end of this clip and then create a new keyframe for each of these properties as well with this button add or remove keyframe so in between here we're going to add some changes to create this effect but we want the beginning, and end of this adjustment layer to be at the normal settings so let's go right here in the middle and we're gonna do sort of like a zoom in zoom out and then rotate in rotate out so let's scale it up to 115 and you'll notice that when I put my timeline indicator right here in the middle and then I type in a new number for scale it adds a keyframe same for rotation let's go to 2 so you can see this starting to work that it zooms in and then out zooms in and out now.

 let's just add some position animation, and this is just going to be moving it down moving it around this is just trying to make it feel a little bit more organic so maybe 5 or 6 keyframes in the middle here you might want to play around and that's pretty good so let's play through it nice so you could go in and tweak those to see if you want more or less shake the other thing I did with this original version, was I added a subtle bit of blur to it and that was with the directional blur so type in directional direct and you'll see that the directional blur pops up we're going to apply it to the adjustment, layer again we're going to set keyframes at the beginning and end at 0 and 0 and then go to the end and apply these keyframes as well and then in the middle we're going to create our blur so first I'm going to increase the blur length just so I can see what its gonna look like and then adjust the direction to something like 77 degrees or something and then.

 I'm gonna bring back my blur length to 15 again it depends on how dramatic you want to be pretty cool huh neat so now the beauty of this is we can just go to the next spot where the ball bounces, right there and then copy and paste this adjustment layer or simply hold the option key down and drag this clip that's on a Mac on a PC it would be can I believe alt clicking and dragging and we can just duplicate this camera shake over and over boom boom boom cool huh awesome so that's more of that earthquake style.

 let's look at the handheld style I'm gonna show you two ways to do it one is basically the same thing with adjustment layer, so I'm actually not gonna walk through this entire sequence of what I did but you can see here that I've added this adjustment layer I've added the transform property and I've added position scale and rotation keyframes, the key is to be subtle so here you can see that there's just the subtle movement it's not like in the earthquake one and it's very very minimal adjustments, to all of these different properties so that's one way you can sort of custom manually do it but there's an easier and more organic way to do it that I got from my buddy Curt Anderson over at Adobe masters so what we are going to need is a stable shot that we want to add motion to which is the street shot.

 so I'm just going to duplicate, this over here see how there's no motion at all and then 

I'm going to need a shot that has motion so you do need that separate shot I can use this basketball shot and I'm just going to place it above this clip and I'm gonna, just make it the same length as that clip so see how this basketball shot has movement the camera movement already I'm basically going to use the warp stabiliser effect and reverse-engineer, it so it applying the movement that's being removed from this shot to this shot okay I know that's a little confusing but let's just show you how to do it so if we go to our effects type in warp we find warp stabiliser put this on top of the basketball clip and now it's going to analyze it and then we're going to change some settings so we actually want to change the method here from subspace warp to position you can also try position scale, and rotation but I've found that position seems to work best for this handheld motion style for framing.

we're gonna leave that stabilize crop and auto scale and then smoothness this will actually increase or decrease the amount of shake you have so the more smoothness the smoother, your footage is on this clip the shaky er it's going to be on the street clip that I'm adding camera shake to so now if I play through this while there's still movement it tries to do a little bit of stabilizing it doesn't matter if there's a if it's stable or not because what I'm going to do is actually copy this warp stabiliser effect selecting it command C on a Mac that'd be control C on a PC I'm gonna move that basketball clip now notice what happens I play this clip nothing's happening if I select this clip and then paste the warp stabiliser, effect notice how there is now movement so you get this more organic natural movement.

 so if that's a little bit too much movement, we can go in here let's drop this down to like something like 10 percent copy this again go to this other clip oops not delete the clip but delete the effect and then paste it so now you see that's a little bit less of hand movement now, this organic movement is going to depend on what clip we are using to add the warp stabilizer to so you can use different Clips to get different kinds of handheld movement but again this is a quick way to create that organic handheld motion without having to go through and manually keyframe it yourself.

well I hope you really enjoyed this too toriel and if you did please like and subscribe to the channel for more if you have any questions or comments, you can leave them below in the comments and if you're looking to take your skills to the next level make sure you head over to video school where we have premium courses, more free tutorials and articles guides and all kinds of stuff that will help you become a better creator thanks so much for watching and have a beautiful day.