rc edits official

                   Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

                Smooth Zoom Shake Preset  

What's up guys welcome back to another Zoom Shake Transition in this video.

 we're gonna make the awesome zoom out effect and it's actually pretty darn good in my opinion it's better than Alight Motion, or if it's not better it's pretty close but Before we jump into luma fusion.

 I want to say a big thank you to everyone that have purchased my packs and supporting, me that way I really appreciate all the support that you have given me the past couple of months and it's allowed me to just move on and do more awesome tutorials take some time off and just focus on editing those transitions and the tutorials inside of Zoom and in this video

 I'm also going, to show you some of the zoom out effects that I've done in Alight Motion and I'm actually gonna, compare them to the luma fusion zoom out effect and actually think the luma fusion zoom out effect is better and the reason for that is simply because I don't know it feels like well I put more effort into making it inside of them of fusion and is it's just it's it's harder to apply and it it's a longer process to apply in luma fusion but maybe maybe that's the that's the thing maybe maybe that's why I like it more than the Alight Motion one because Alight Motion, is just you drag drop and you're done but making it inside of a luma fusion it feels like it's I don't know I don't know it just it just looks awesome and it's I haven't seen anyone before inside of limo fusion and it's like I want to use this it's like.

 I want to take this transition this zoom out effect, into my PC and just I need to premiere pro but it's not possible so I don't know let's just jump into the my fusion and start the tutorial so once we're inside of luma fusion we're gonna start by making a new project once you've made the new project.

 we're gonna go into our Photos app and find the side clip that we want to zoom out from and in this tutorial, we're going to use story blocks and we're also going to use this eye footage from story blocks so we can make a cool transition as well as a zoom out effect once we place the eye footage on our timeline we can browse through and we can find another clip that we want to place inside the pupil and drag that above to the second layer, then we take the eye clip and we drag it underneath at the end of the second clip that we just added and then we'll make a cut to the footage above the eye so we'll end up with a small clip which is above the eye then.

we're gonna make three ten frame cuts you can follow my example to see what I do [Music] once you made the cuts you go into the last ten frame cuts on the clip which is on the second layer, then we go into frame and fit and we resize the footage so it fits inside the eye and then we also go to cropping and we crop so the footage is only visible inside the pupil you can follow my example to see what I do once you're happy with the placement and the cropping you go over to the first ten frame cut that you have on the second layer and then you go into color and effects and you apply the butterfly effect once you apply the butterfly effect you can follow my example to see the settings that I use once you apply the settings you start by making a keyframe, at the beginning with no settings then you go to the end and you make another keyframe and then you adjust the radius to max the next thing you can do is to copy these settings and apply them to the ten frame cut which is on the first layer of your timeline then you go into edit on this clip and you have the keyframes, and you go to the first keyframe and you can start adjusting the position. 

 so you're all zoomed in on the pupil you can follow my example to see what I do and the settings are use once you applied all the settings and you're happy with the look you simply copied this effect and you apply it to the clip which is above the one we just edited the next thing we do is we go out and we see how the cropping looks and it doesn't look that good now so what we have to do is go into that clip and start adjusting the position and the cropping to make it fit inside the pupil and to make it follow the pupil the entire time you can follow my example, to see what I do  make sure to add keyframes along the way to make sure that the footage will always be inside the pupil and you will have no problems with the look of it when you're done and to make the transition and the zoom out effect perfect, so once you're done with the placement you can go out to your timeline again and you can play through and you can see what it looks like and you can see that the transition, sotself the zoom out effect it's not quite there yet so we need to go in and make some adjustments so what we're going to do is go into the butterfly effect and we're going to go to the first keyframe. 

   we're gonna scale everything down, to zero then we're going to go a couple of frames to the right of the middle and make another keyframe and make sure to have everything on zero on this keyframe, as well the transition will now look something like this so the next thing we want to do is to go inside the last ten frame clip that we have on our second layer, and then we want to place the marker exactly where the entire eye is visible and then we want to go into frame and fit and blending and make a keyframe and then we want to go a couple of frames towards the beginning of the clip and make another keyframe, and drag the opacity to zero and the transition will now look something like this and now after adding the transition to the last clip on the second layer we can now take that clip and drag it out so it's longer which makes it easier for us to fade out the effect which is inside the eye and we can easily apply a fade out effect by going into, luma fuchsias transitions and add across the song to the clip and that will look something like this and you can now see that the effect is starting to look more smooth than what we had to begin with and it's only some fine adjustments, we need to do to make this perfect so now let's go into the first 10 frame clip that we have on the second layer.

 we're going, to go into color and effects and then we're gonna apply a short zoom then we're going to go to the end of the clip and we're gonna make a key frame and we're going to adjust the zoom to the amount that we want and make sure to adjust the position, of the zoom as we apply the butterfly effect the zoom will not be in the center unless you drag it around and make sure that it is centered during the entire transition, and if you don't do that it will look something like this and this will just look super weird so you have to adjust and you have to look through and make sure that the zoom is always centered inside the transition if it's easier for you you can always apply additional keyframes, to make it easier to find the center and to keep the zoom centered at all time you can follow my example to see how I adjust the center of the zoom once you're done with all the adjustments and the placement of the zoom the transition, will now look something like this and now let's move over to story blocks and apply some more footage that we can apply this effect.

 so again we add the ten frame cuts to the clips and now we can simply go over to the previous transitions, and the previous effects that we created on the other clips and we can simply copy those effects and apply them to the next cuts that we made once we apply the effects we might need to do some adjustments depending, on the position where we want the transition to be like this last clip that we added we want to zoom out transition to go from the eye to the face so what we want to do here is to go into that clip and to color and effects and into the butterfly effect and then we want to adjust the position of the butterfly effect and we want that to be on the face so it looks like.

  we're zooming, out from that face so once you're done with the adjustments it will look something like this and you can see that we need to make some adjustments to the second transition as well so we're going to start by going into edit on the eye clip then we're going to go to color and effects and we're going to apply a short zoom once, you apply the short soon we're going to make a keyframe at the end of the clip and a keyframe at the beginning.

   we're going to go to the keyframe at the end and we're gonna just assume so the zoom is taking up a lot of the black spots inside the footage, and on this clip we also have to adjust the zooms position and make sure that it's always centered inside the clip nd once you're done with all the adjustments the final result will look something like this and now let's compare this LUMO Fusion and zoom-out effect, to what you can create inside of Alight Motion in my opinion I actually think that the zoom out effect that you create inside of LUMO Fusion looks better than the one I created inside a Alight Motion.

 So that's how you make this awesome super, or it's it's so good if you want this transition or zoom out effect head over to the description below self I it's there if you want to support me by making a donation when you get these for some zoom out effects please consider doing, that and also don't forget to smash that notification bar and subscribe if you're new to my channel and don't forget to comment below what do you think do you think the luma fusion zoom out effect is more awesome than the one I made in Alight Motion, let me know in the comment section below and I'll see you guys in the next video peace

            Zoom + Shake Transition Pack  

I guys stand over them here so I was watching this film this week star was a new hope brilliant film, and I notice through a lot of white transitions in there.

   so I thought coming up to Google and find out how many of those transitions are,  actually our innate because there were quite a lot left to write down circular ones etc did the ground under sir I don't know I don't know why they use so many but one of the questions that I would did they write them themselves or did they download them were they just a library transition.

it just a new editor you know what what was the cause of it was the thinking behind it anyway it turns out that there were 31 white transitions, in Star Wars a new hope and that that sort of gave me the idea that basically should do a short video on how to create your own white transition so with that let's get this started [Music] welcome back guys so transitions yes what we're going to be doing will give a doing,

 it as zoom transition specifically, a smooth zoom transition that is where your primary voltage zooms in and the second footage zooms in behind it and it's done in a specific way through premiere but you have to do it yourself it's not downloaded it isn't a library transition, it's one you're going to create yourself through peaks of this video obviously by the way I'm just a disclaimer I didn't invent this transition I've got made it up wish I had and I'm also not the first person to a pop video on YouTube about how to make a transition. 

we're going to do that now so let's dive into premiere and let's get started we just need to get our clips you can see the timeline still go to the project bin just grab three random clips, drag these across onto the timeline now okay I don't need these sound on these so just remember these clips to get rid of sound boom done okay so got three clips in the timeline no sound they're all playing they're just straight course between each clip next step for us would be we're going to go down to our project bin and we're going to click on new item and then it just moon where you'll leave the settings are same and then.

 we're gonna click on adjustment layer again you had to adjustment layer two adjustment layers in our project bin okay so crop only adjustment layers, and drag that onto V 2 at the beginning of the clip for clip two and then grab the second adjustment layer and stack that over the top what we do is just extend the hell a little bit second adjustment layer and that's just so they overlapped clip 1 and clip 2 and I've become apparent later it's needed for the transition so our next step would be to go to the effects panel and click on our first adjustment layer then up on the effects panel here we're gonna type in replicate I'm gonna drag that and drop that onto our first adjustment layer.

 I head over there and you can see that there are now four versions of our video playing at the same time now that's not gonna be quite enough, so what I need to do is go to the effects control panel which is here and we're gonna change the count of the replicate to three which gives us nine three roses right okay so what next gonna do is close time and we're going to go to the effects panel or insight mirror and exactly mirror onto the first adjustment laughs first seven layers and we're going to go to the flexion angle, I'm gonna put a value of 19 into that then gonna go to reflection Center which is just the line above it and we're gonna go to do the right hand figure and we're gonna alter that so that the lines don't appear anymore so you can see you've got a line just drag that okay grab never again they're down so that two mirrors now this is a second one what is that one I'm gonna give that value of minus 90 they use the same right.

 I'm figure again and you've gotta count to the lines and then when you're okay next you're gonna fight, me right again this is a third time you've done this and you give that value of YT maybe use the left hand thicker and it's like it back onto the screen so we see Lions there they are now make a one-line left which is so the fourth and final time they live straggler on to our from that and you give it a value of 360 and then we look that SAP and black on and so the line needs to disappear, okay so what's it done from there now without me to do that more the next step you need to do it's coming to you the effects power yeah and when it's attacked in there.

 I'm store now when they've got transformed, ones we taught that this move back so that's the way in being three you've got a minute and now as providing place what you do is set our playhead at the beginning of the clip that we watch transforming into and transition, into you wouldn't go back sort of between six and ten frames into clip what I like to do it think frames just it depends on how quickly loss though you wanted to go so go back eight frames so one two three four five six seven eight so a backache frames now they're due using the scale icon in transform.

so click start watching their legal value at home good that's putting a keyframe, and then reset our timeline to the beginning into that second clip I go eight frames into the second click on okay once we get there they do is we're going to keep that scale at a value of three hundred we've got another keyframe, in and bring the sense of scale back up so I'll quit fully visible and there we go so now basically what we've got is we've got our clip moving from three sets of three such as one clip when I finish yet we'll go down chose angle here in your transform.

 I want to give that a value of 360 now that will give us some but motion blur if I just flip back there you go you can see it's giving us a little bit of motion blur, to it so what I'll do now is I will just render that out quickly and that will show you exactly what your transformation, has done you create your own transition and I'll show you how you smooth the zooms anymore just our auto playing here we go and then.

we have it a smoothing, stick well that's it guys transition all made so we've done that you've got the two tongue you got a two adjustment layers there you know what you do with it all you can obviously refer back to this video if you need to however you can copy and paste that across from one project to another or you can save it in a project file and then import your projects and afterwards, you say that the template etc etc etc and it's just they're fierce cubes you can tweak it as much as you like you can change it however you like it just make it see fit make it longer make it shorter faster make it smoother.

it's just my take on it what I'm gonna do is buy a video at the end of this video just a short clip at the end of this video just so you can see what it would look like with a bit music on and now though the transition, plays out amongst a little bit more bit longer footage because we always use unused three Clips on the tutorial and I'll use a few more Clips so that you can see how it plays out over a longer period  if this video is useful nitiram you liked it please do like and subscribe below and I will see you next week with more tutorials or interesting blogsblogs

 Trending zoom + Wave Transition Tutorial

So you want to add camera shake to your next video, I'm gonna show you how to do it right within Alight Motion in this new Alight Motion tutorial.

 I'm going to show you two different styles, of camera shake one is more of this earthquake sort of dramatic effect and the other is more of a handheld look, and I'm going to show you two ways to do that one so first with this more earthquake stylized effect this is created by an adjustment layer and the transform effect.

So I've got this basketball clip right here and if I drag this on to my timeline it's a pretty smooth shot nothing's really happening and I've added the camera shake,  whenever the basketball hits the ground so first things first I want to create an adjustment layer and add that to track two so click new item and choose adjustment layer select okay and then just put it on top of your video track.

now I'm gonna zoom in here and you want to zoom in and have the adjustment layer, start right when the ball is hitting the ground and then maybe go for another seven or eight frames half a second or so and then, I'm just going to trim the end of this adjustment layer now adjustment layers, apply whatever effect is applied to that layer to everything beneath it and the reason we use adjustment layers is so that we can easily duplicate this camera shake effect to any clip or throughout this same clip go to your effects bin and type in transform, it should be under your distort properties and place that on the adjustment layer and the effects controls bin will now edit this effect notice though one thing is that you can't apply this sort of movement and rotation effect.

 we're going to do just with the basic motion properties of an adjustment layer, see if I move this around or rescale it up or down nothing actually applies to this clip beneath it and that's because only effects that are applied to this adjustment layer, are applied to this basketball layer and that's what this transform effect is so if I move the position around see how I do this now this video clip is moved so the first thing I'm going to do is set a keyframe, for scale at the very beginning of this clip this is tellingAlight Motion that at this point we want the scale to be 100% and we create a keyframe by clicking this little time watch right here while you're at it go ahead and create a keyframe for rotation position, as well then up here in the effects controls go to the very end of this clip and then create a new keyframe for each of these properties as well with this button add or remove keyframe so in between here we're going to add some changes to create this effect but we want the beginning, and end of this adjustment layer to be at the normal settings so let's go right here in the middle and we're gonna do sort of like a zoom in zoom out and then rotate in rotate out so let's scale it up to 115 and you'll notice that when I put my timeline indicator right here in the middle and then I type in a new number for scale it adds a keyframe same for rotation let's go to 2 so you can see this starting to work that it zooms in and then out zooms in and out now.

 let's just add some position animation, and this is just going to be moving it down moving it around this is just trying to make it feel a little bit more organic so maybe 5 or 6 keyframes in the middle here you might want to play around and that's pretty good so let's play through it nice so you could go in and tweak those to see if you want more or less shake the other thing I did with this original version, was I added a subtle bit of blur to it and that was with the directional blur so type in directional direct and you'll see that the directional blur pops up we're going to apply it to the adjustment, layer again we're going to set keyframes at the beginning and end at 0 and 0 and then go to the end and apply these keyframes as well and then in the middle we're going to create our blur so first I'm going to increase the blur length just so I can see what its gonna look like and then adjust the direction to something like 77 degrees or something and then.

 I'm gonna bring back my blur length to 15 again it depends on how dramatic you want to be pretty cool huh neat so now the beauty of this is we can just go to the next spot where the ball bounces, right there and then copy and paste this adjustment layer or simply hold the option key down and drag this clip that's on a Mac on a PC it would be can I believe alt clicking and dragging and we can just duplicate this camera shake over and over boom boom boom cool huh awesome so that's more of that earthquake style.

 let's look at the handheld style I'm gonna show you two ways to do it one is basically the same thing with adjustment layer, so I'm actually not gonna walk through this entire sequence of what I did but you can see here that I've added this adjustment layer I've added the transform property and I've added position scale and rotation keyframes, the key is to be subtle so here you can see that there's just the subtle movement it's not like in the earthquake one and it's very very minimal adjustments, to all of these different properties so that's one way you can sort of custom manually do it but there's an easier and more organic way to do it that I got from my buddy Curt Anderson over at Adobe masters so what we are going to need is a stable shot that we want to add motion to which is the street shot.

 so I'm just going to duplicate, this over here see how there's no motion at all and then 

I'm going to need a shot that has motion so you do need that separate shot I can use this basketball shot and I'm just going to place it above this clip and I'm gonna, just make it the same length as that clip so see how this basketball shot has movement the camera movement already I'm basically going to use the warp stabiliser effect and reverse-engineer, it so it applying the movement that's being removed from this shot to this shot okay I know that's a little confusing but let's just show you how to do it so if we go to our effects type in warp we find warp stabiliser put this on top of the basketball clip and now it's going to analyze it and then we're going to change some settings so we actually want to change the method here from subspace warp to position you can also try position scale, and rotation but I've found that position seems to work best for this handheld motion style for framing.

we're gonna leave that stabilize crop and auto scale and then smoothness this will actually increase or decrease the amount of shake you have so the more smoothness the smoother, your footage is on this clip the shaky er it's going to be on the street clip that I'm adding camera shake to so now if I play through this while there's still movement it tries to do a little bit of stabilizing it doesn't matter if there's a if it's stable or not because what I'm going to do is actually copy this warp stabiliser effect selecting it command C on a Mac that'd be control C on a PC I'm gonna move that basketball clip now notice what happens I play this clip nothing's happening if I select this clip and then paste the warp stabiliser, effect notice how there is now movement so you get this more organic natural movement.

 so if that's a little bit too much movement, we can go in here let's drop this down to like something like 10 percent copy this again go to this other clip oops not delete the clip but delete the effect and then paste it so now you see that's a little bit less of hand movement now, this organic movement is going to depend on what clip we are using to add the warp stabilizer to so you can use different Clips to get different kinds of handheld movement but again this is a quick way to create that organic handheld motion without having to go through and manually keyframe it yourself.

well I hope you really enjoyed this too toriel and if you did please like and subscribe to the channel for more if you have any questions or comments, you can leave them below in the comments and if you're looking to take your skills to the next level make sure you head over to video school where we have premium courses, more free tutorials and articles guides and all kinds of stuff that will help you become a better creator thanks so much for watching and have a beautiful day.

 How to make Trending Msg Box Lyrics Video Making 

Today i'm going to give you a free lyrics title templates, it's absolutely free and you can download it from the description and also there's a major update in file download  and you can access all my template from here.

 Now it's very easy actually and on this templates uh you can get this link and you can see the preview and everything from here and and you can just click buy now that's all and you don't have to pay anything it's absolutely, free and yeah that's all and if you really want to pay me something you can buy me a coffee and it's actually a donate option and if you want to donate some amount go to here and run some ammo if you really wish and it's not necessary.

 i'm just saying i'm just introducing, this buy me a coffee my address and so whatever you want okay anyway uh back to our website and just click on this buy now and it will redirect you into this page and fill this form that's all you know just single click you can download everything, from here only and yeah it's more secure and everything and anyway let's install this file so just extract in the downloaded uh file so you can see a folder with five more graph templates lyrics more graph templates.

    So these are the templates, so it's the easiest way just copy this folder and save in your document and create a new folder title and paste this folder into here it's the safest way it's not necessary but but make you title everything, in a single place that's all anyway just open uh Alight Motion and go to essential graphics and here you can see essential graphics to install this phone uh this title templates the lyrics title templates click here and manage additional folders.

       So we have to add click on the add button and go to our documents, and that folder and open our lyrics folder just press ok that's all so just add your folder into here now change into lyrics you can see all five lyrics title templates here yeah now let's start create something so i don't want to use any cooperated music though sideways i just downloaded, some music from youtube audio library uh it's some classical kids song [] see that's all so let's create some let's see how to customize our lyrics title templates and how to make it more beautiful,

 so i just try and drop one title uh you can use whatever you want i just drag and drop and set the duration based on one sentence, yeah now here we have to adjust this position and everything so basically uh adjust your first lyric sentence uh duration based on that the actual the voice duration and you can just copy paste your text into here you can adjust your title and everything in edit essential graphics, edit tab now here you can adjust the total timing durations and everything you can see lot of controls here you can adjust whatever you want i provide lot of controls and here you can adjust that the in the starting timing the speed of animation, so if you set one then it will become the animation will stop at one second that means much faster if you want little slow then make the animation speed two or three and i just drag and drop by pressing alt you can copy the same clip.

    Now here i just extend at the end you can see the out animation, also so here what we have to do is just extend our main and at here just ctrl k you can cut that you can trim the clip and adjust this and keep here so you can add the out animation see to the lyrics that's all now [Music] copy your second sentence and click here and paste here under v you can paste here also now just play yeah you can see it's properly, matched so that's all now what you have to we have to do the same thing the out animation for this also so just reduce the out part and keep it here now just copy the same thing and adjust the title and everything i just speed up the process because you don't i don't want to make more duration on my tutorial video the same process just copy the title and adjust the timing and replace with the sentence the lyric sentence, that's all now you can add some noise and texture effects on top of this video it's made more beautiful so i think you don't have these textures noise and everything so don't worry i will upload yes maybe next video i will upload all these kind of ad sets and yeah anyway or you can just google you go to youtube and free noise texture overlay just search it on youtube you can find lot of free noise it's very easiest way you can free download now we have to add some footages behind this so select all and little up in one layer of mold more upside. 

 so i had some another noise textures and you can see you can you'll get these noise textures in youtube absolutely, free actually anyway go to you can find lot of free stock videos so i want some free videos so i just downloaded some click kits are playing and import into our alight motion and place it in on the first layer ctrl k to cut the part and just delete so here i think this part is little uh right click and scale to frame size it's a 4k video actually now you can reduce this opacity if you can see this line the opacity line what you have maybe your timeline is like this so you have to extend this layer, widths then only you can access these opacity control i think i have to decrease opacity little bit more and you can change your color grading and everything now now we want to change this the texture opposite [Music] this is a basic thing now let's check other title templates also and customize those things and everything so this thing it's very basic title and here you can see text 1 text texture text three old text properties you can access and also the vehicle effects you can access these properties or title templates.

  so actually it's you can add some wiggle,moment some free flow moment to your lyrics so what you have to do you have to adjust the value if you if you are giving more value you will get a more movements on your so let's keep maybe 5 6 or 10 maybe 10 now you can see it's really smooth i think so up to you so i'm just giving this option if you want more regular option you can just check the values and get things done and let's import another text and this is also the same title for only one line single line that's what that's the only , differenceand you can change the colors in position outputs and everything and let's import this next one the lyrics one okay okay let's do something creatively here if you uh just copy by pressing alt key and or click and drag you can copy the same thing same the clip then just create a offset here then you can change the color and just download any gradient image to get some gradient reference and you may import that image into our timeline this is just for reference color reference only just reduce the size and keep it here and select the first title you can see the eyedropper here you can select one color i'm going to pick yellow color and second color and somewhere here yeah i think this is better now but right now let's add more saturation and this color yeah that's all now you don't want to this you can delete this thing see here the difference this is just a single title but we just duplicate and add a offset so and change the color that's all but you can see that difference you can play creatively around with these titles something like this yeah that's what so there are a lot of options are here and if you want to apply the same thing here what you have to do just copy this color and make this color into the same yellow is that hex code here and yeah use the same thing for the second the outro animation also now just copy both text and create a offset and change the color into something purple violet that's all so if you play this you will get the same effects so basically don't just use the title use something creatively like this and yeah that's all and or there's another easiest way you can just add go to fx and add echo fx to our title so you don't have to duplicate our title with single title you can create the same almost same effects but the problem here you will not get different colors you can you will get the same color but different opacity and you can adjust the values here actually and also you can change the blending mode and everything.

 Here i'm going to add into a thing screen, you can play around with this actually this is too much and i think screen is better and the intensity is okay okay no anyway you can just copy the same echo you can copy this thing and ctrl c and you can play paste it here i'm going to enable this and basically what you have to do select all this title ctrl v you can paste the echo effects for oh so these are the technique actually now you can change the font style and font colors everything here from this title basically, it's a dynamic you'll get a lot of option hundreds of option and you can play around with and you can do something creatively and nicely and yeah that's all so hope you enjoyed stay tuned for so i'm going to i'm planning to create another the lyrics template with premium and more options more title will be there so stay tuned for that you 

 Trending  Shake Preset Pack Alight Motion

 Today I'd be showing you how to do the shake effect in Alight Motion 

 Also another term is like maybe the the hit effect it's gonna basically be shaking the footage under our control so little before just someone punching, right like so nothing too interesting now when we add in our footage you'll notice that there is this sort of this punch this kick to it when he punches and it makes everything sort of tie together it gives it more force more action.

      we're gonna be doing today this is a very flexible effect, it can be used for really anything if you want to use it to like bump to a beat or sort of do something a car accident or any other sort of hits or where you just want to move it to a element a plot element then this is the perfect effect for you so first things first all we got to do is create ourselves a new sequence I'm gonna I can close out the sequence,

  I have take my footage right here, and just drag it in and it'll create itself a new sequence with all of these settings I got this footage from Envato elements which is a great place if you want to have basically unlimited amounts, of stock footage it's a monthly fee and you can download as much as you want even creates like the licensing and stuff for you which I am a big fan of if you are interested in that go ahead and check out the link in the description below it's a great deal for what you get and I love using it we are then going to go into our footage here and you'll notice that it starts off in slow motion.

     we don't want it in slow motion, so I'm gonna go ahead and right click go speed duration and just double the speed and it pretty much looks like fast motion now now what we need to do is we got to duplicate the footage so click on it hold the Alt key and drag up and you'll see that we now just have an exact replica, and what we want to do is we want to cut right before the hits so right about here move forward until after the hits are done right about there and then throw away the back footage you can click the delete key or you can right click and then go up to clear to remove, that we then have the footage and we are ready to begin first things first. 

 we're gonna go ahead and we're gonna go to the beginning, of the footage we're going to look for an effect called transform now we could just use the position up here in motion however, we lose the ability to add motion blur if we do that so what we're gonna do is we're going to drag on the transform and we're going to use these motion effects instead of these motion, effects this will again allow us to add a little motion blur make it all look a little bit better we're gonna click on our footage.

    we're then going to go into position click the little keyframe right here, we're then going to move forward and try to find the point where we want it to start maybe right about here go one frame two frames forward give it a little bit of a kick to the right we don't want to do too extreme the reason we're copying is because now the bottom layer, is sort of helping us there's not a black bar right here but if we go too far it becomes really noticeable so we just want to go a few frames up and down maybe like so if you want to do something a little bit more intense what you can do is you can actually zoom, it in so if we for example zooms it into 110 we now have the ability to move it a lot farther and it's still within our footage you just have to zoom it in a bit so it's your choice on how you want to do it don't want to zoom in past about 115 anything past that and you start losing, a lot of resolution so you have two options there either zoom it or just kind of keep it normal and make the movements very very tiny and that's what we're gonna do we're gonna make the tiny movements here.

  so I'm gonna move just a little bit over we move just a little bit up and now you'll see that when we hit it moves just a bit so then after our movement, we can click on the footage and then jump to our last keyframe, here we're to move maybe one two and then we want to reset it so we just move it out for just a second and then have it come back you can see we have just a little bit of a hit right there maybe we want to add just a little bit more flare to that so all we have to do is just find the point where it hits where we moved it and maybe make it instead of 974 like 999 90 yeah and then maybe just a tad bit more on the up here and then now let's take a look yeah it looks a little bit stronger, now and so now we're gonna do the exact same thing for the next one so create a keyframe right before they hit maybe Ray y'all do here because that actually isn't moved we'll have to choose which frame we wanna do it maybe I'll put it right here. 

   I'm gonna add the keyframe move, forward one or two frames really accent that hit a bit have it kind of out have it come up a bit the reason I'm going this direction is because that's kind of the way the force of the punch is going so I'm trying to move with the force of the punch move forward one or two frames, reset it and then now we have nice one-two right there and you can see that there's a nice sort of a strong movement with that last hit now we got to clean this up a little bit first things first let's add in that motion blur gonna go unchecked uncheck the use composition shutter, angle go to the shoulder angle bring it all the way up like so the more you bring it up the more motion blur since we're doing small motion.  

 I'm gonna bring it up as high as possible to try to add as much motion blur, as I can you see that it's not much but it does move just a little bit it blurs everything in the direction and that just kind of cleans up the action just a little bit and then we're gonna go into our effects I'm going to look for something called, cross dissolve cross dissolve is going to blend us in with the background a little bit better so click on this and drag it down we can zoom.

   we want is a couple frames here, and what this is gonna do is it's gonna blend us in with the bottom here, so it looks a little bit less noticeable whenever we go through it now we're gonna hit play you can see that we're having a pretty good effect right here so boom boom and if you notice that you watch it one time you won't notice it but if you watch it over and over you're starting to see that maybe this is moving too far off the background with the movement, and so maybe we want to try change it up a bit and maybe add just a tiny bit of zoom to it like 105 if we're gonna do it like that and now if you do that you gotta realize that if you zoom the top layer in the cross dissolves might need to be dropped otherwise. 

   you're gonna get that weird sort of zoom and zoom out, so we have the punch right there of course we can always touch it up now that we have a little zoom on it let's kind of bring it out even more a little bit bring it up some and you can see it blurs even more and now we kind of have a really strong hit happening here, that second one I say could he be even more powerful as well so bring it over really make that move maybe make that one go down and there we go now we got like a really strong sort of punch it makes this look incredibly strong.

 shake effect it's not that hard of an effect to pull off you just sort of add a little bit of motion blur use the transform, tab if you need to cross as all if you need to zoom it in and you can do this anywhere in your footage and have a really really solid and reliable and flexible way of adding the shake effect thanks I remember joining me if you have any question or comments go in the comment section below, on our website at ob masters dotnet if you want to see more videos some of this one go and that subscribe button I make a video every other day or at least I try to ah and it's all that's done guys see ya you